Category Archives: Art

Learning the fate of Springer’s stick, a key to an orca rescue

When is a medical intervention appropriate for a sick or ailing killer whale?

It’s a complicated question, as I learned by interviewing a variety of experts in a two-part series just published in the Encyclopedia of Puget Sound.

One aspect of the story that I found interesting was how a simple tree branch helped to make a connection between humans and a lonely orca named Springer. If you have read my story, you might be interested in how the stick played an ongoing role after the rescue.

The question of medical intervention with wild killer whales has become more urgent with an ongoing drop in the population of the critically endangered southern resident orcas of Puget Sound.

Last summer, the world watched as 4-year-old Scarlet, a female orca designated J50, became emaciated and eventually died. Medical experts tried unsuccessfully to help her, and they are still debating whether they did too much or too little.

In contrast, we have the story of Springer, or A73, an orphan killer whale who was successfully rescued from Puget Sound, nursed back to health and returned to her family in Northern British Columbia.

Differences between the two cases are stark. No doubt the biggest difference is that Springer was all alone, whereas Scarlet stayed with her close-knit family. Anything done to Scarlet, helpful or not, had effects on all the orcas around her.

As I learned while talking to folks about Springer, the lonely whale found an attachment to humans through a stick, which served as both a back scratcher and a toy. The stick became the key to getting a blood sample from a moving whale, and the blood sample was essential to moving ahead with the rescue, as I explained in the story.

What happened to the stick after Springer was captured and taken to a net pen for rehab?

Dr. Pete Schroeder, a veterinarian who helped get the blood sample, told me the stick stayed with the whale in the net pen. Sometimes people working with her would bring out the stick after she ate her meal of fish. It was a type of reward, Pete said. He calls the stick a “transitional object,” a term from psychology for an item that brings comfort.

“She loved that stick,” Pete said. “She swam up to it, recognized it and did 360s around it.”

The stick also went with Springer to Dong Chong Bay on Hanson Island, where she was released to her family calling to her through the water.

A First Nations dance group, called the Le-La-La Dancers, is known for performing traditional Kwakwaka’wakw (pronounced kwa kwa key wok) dances, representing the First Nations culture of the North Vancouver Island region. One dance is enhanced with a unique five-foot-long mask of a killer whale. The dancer’s moves — up and down, and side to side — represent the diving, breaching and swimming of a killer whale. Check out the video on this page.

As Pete recalled, “They used that special orca mask in a ceremony as we handed the stick over to the First Nations band. We hoped that they could use it to somehow influence Springer’s homecoming to her pod.”

After Springer was released from the net pen on Hanson Island, she swam out to her pod, but she did not stay with the whales. Slow to integrate with her own kind, she approached fishing boats and other vessels, even as the whale researchers asked boaters not to interact with her.

“We knew we had a problem,” Pete said, “and we were asked by the First Nations people to attend a meeting.”

The researchers were told about the history and culture of the native people and the spiritual relationships with the animals of the region, especially the killer whales.

George Taylor, who leads the Le-La-La Dancers, said a special ceremony was held for Springer using the killer whale mask and the stick. The dance with the mask has been performed many times, George told me. It represents the transformation of a killer whale into a man.

The “sacred stick,” as George calls it, was brought into the ceremonial dance to revisit the connection between Springer and the people who knew her. George has long felt a spiritual connection to killer whales, a connection that started years ago when he was approached by orcas during a fishing trip.

“The killer whales came and swam around me,” he said. “It seemed like they knew who I was.”

Some things are too mysterious to explain with science, Pete said. For whatever reason, the timing of the ceremony involving the stick coincided with Springer’s permanent break with the humans and a return to more natural ways.

“After the ceremony,” Pete recalled, “she stayed with her pod and never approached humans again.”

George says he does not know what happened to the stick after that.

Springer stories: Read “Pod reunion: Waters of home welcome Springer,” July 14th, 2002

Amusing Monday: Simon shares quirky, all-too-familiar stories of a cat

British animator Simon Tofield has turned his love affair with cats into an amusing series of cartoon videos, delighting millions of viewers on YouTube and other outlets.

For his inspiration, Simon relies on his memories of his numerous companions through the years — Jess, Maisy, Hugh, Teddy, Poppy and Lilly — but the name of the cat in his cartoon is known simply as Simon’s Cat.

The first video on this page asks the question “Do cats really hate water?” It is from Simon’s highly informative series called “Simon’s Cat Logic,” in which cat behavioral expert Nicky Trevorrow joins the conversation to explain how cats think.

I have always loved cats and thought I knew something about them, but I have been learning quite a lot from listening to Nicky’s advice in these videos. For example, I never thought it made much difference where you place a bowl of cat food, but Nicky suggests that the food bowl be placed apart from the water bowl, because cats in the wild keep their food away from their water source. She also advises cat owners to place the food bowl out from a wall, so that the cat can eat with the wall behind and thus be able to peer into the open space for protection. It’s at least worth some experimentation.

The second video on this page is Simon’s very first “Simon’s Cat” animation from March 4, 2008, called “Cat Man Do.” It illustrates perhaps the most important question in a cat’s life: Who really is in control?

From that first video, Simon went on to produce a series of short delightful animations that cover all sorts of cat experiences, including interactions with other animals. Check out the full list of Simon’s Cat Shorts.

In 2013, he produced a video that tells about his early life and how he progressed to become a professional animator with an ongoing love of cats. It’s called “The Simon’s Cat Story.”

His Latest video, released in December, is called “Winter Games” and can be viewed in the third video player on this page.

Simon’s most ambitious project so far is a 13-minute full color action video with sound effects and music called “Off to the Vet,” which you can view in the last video player on this page. The care that went into this project is obvious, but if you want to see behind the scenes and learn about the intricacies of animation, check out the 10 videos that cover all aspects of the production, from story inspiration to character voices, along with a companion book of the same name.

Simon, who works as an animator at Tandem Films in London, has had a lot of success with his cat animations, branching into:

As for cat knowledge you can use, check out these episodes of “Cat Logic”:

New online magazine describes life in and around Puget Sound

John F. Williams, a Suquamish resident who has been creating dramatic underwater videos for years, recently launched a new online publication called Salish Magazine. Its goal is to help people to better understand the ecosystem in the Puget Sound region.

For those of us who live in the region, John and his Still Hope Productions have helped us visualize and understand what lies beneath the waves and up the streams of Puget Sound. The video “Is this where Puget Sound starts?” (shown below) is a good example of the video production. Other videos can be found on Still Hope’s website.

The new online publication shifts to the use of more words, along with photos and videos, to explain the connections among living things. The first issue includes extensive articles on sea anemones, barnacles, sea stars, mussels and glaciation, spiced up with art, poetry and personal stories. Download the magazine as a huge PDF (56.6 mb) file or open it in iBooks.

The second issue of Salish Magazine is about the importance of forests, with articles on forest character, forest restoration, barred owls and more, as well as poetry, essays and lots of photos, all combined in a web design that combines variable scrolling with pull-down menus.

As John describes it, “A key focus of the magazine is to illustrate the interconnectedness woven through our ecosystems, using lenses of history, science, and culture.”

The first two issues are free, although a subscription is expected to be announced next year. Meanwhile, one can sign up for newsletters on the Subscribe webpage. Salish Magazine is published by the nonprofit firm SEA-Media.

Speaking of environment news, I hope everyone is familiar with Puget Sound Institute and its online newsletters. The December issue includes a quiz on Pacific herring and articles on rockfish, Puget Sound vital signs, the Clean Water Act and recent research papers.

Puget Sound Institute, an independent organization affiliated with the University of Washington, strives to advance an understanding of Puget Sound through scientific synthesis, original research and communication. PSI receives major funding from the Environmental Protection Agency.

One can subscribe to the PSI newsletter, blog and alerts to articles in the Encyclopedia of Puget Sound on the Subscribe webpage.

Full disclosure: I am employed half-time by Puget Sound Institute to write in-depth articles about scientific discoveries and ecological challenges in the Puget Sound region.

Further note: A previous version of this post stated incorrectly that Still Hope Productions is a nonprofit company.

Amusing Monday: Wild and Scenic Rivers to be featured on U.S. stamps

In the coming year, you could choose to use postage stamps depicting the Skagit River in Washington, the Deschutes River in Oregon, the Tlikakila River in Alaska, and the Snake River, which runs through portions of Wyoming, Idaho, Washington and Oregon.

Skagit River: Wild and Scenic Rivers stamp
Photo: Tim Palmer

These rivers are among 12 Wild and Scenic Rivers to be featured in a pane of stamps scheduled to be released as Forever stamps in the coming year.

The year 2018 has been celebrated as the 50th anniversary of the Wild and Scenic Rivers Act, with a special celebration in October, so I didn’t think I’d be writing about this topic again so soon. But I couldn’t pass up a mention of these stamps that show off some beautiful photographs by Michael Melford, Tim Palmer and Bob Wick. The pane of stamps was designed by art director Derry Nores for the U.S. Postal Service’s stamp program.

Deschutes River: Wild and Scenic Rivers stamp
Photo: Bob Wick

The Wild and Scenic Rivers Act was created by Congress in 1968 to preserve sections of rivers with outstanding natural, cultural and recreational values. Although the Snake River runs through portions of four states, the designated section is actually just a 67-mile segment downstream of Hells Canyon Dam along the Idaho-Oregon border.

Reporter Kimberly Cauvel of the Skagit Valley Herald wrote about the Skagit River stamp, quoting photographer Tim Palmer and salmon biologist Richard Brocksmith, executive director of the Skagit Watershed Council.

Snake River: Wild and Scenic Rivers stamp
Photo: Tim Palmer

“Clearly Skagit belongs in that group of rivers to celebrate around the country,” Richard told her. “There’s no other single river anywhere in Washington, maybe even the country, that exceeds all superlatives for its unique beauty, fisheries resources, recreational values, natural free-flowing condition and local contributions to our economy such as Skagit’s agriculture.”

With the largest runs of Chinook salmon among Puget Sound streams, one could also argue that the Skagit plays a key role in the effort to save the Southern Resident killer whales from extinction.

Other Wild and Scenic Rivers featured as stamps in the upcoming release (with photographer) are:

  • Merced River in California (Melford),
  • Owyhee River, a tributary of the Snake River in Oregon (Melford),
  • Koyukuk River, Alaska (Melford),
  • Niobrara River, a tributary of the Missouri River in Nebraska (Melford)
  • Flathead River, Montana (Palmer)
  • Missouri River, Montana (Wick)
  • Ontonagon River, Michigan (Palmer),
  • Clarion River, Pennsylvania (Wick)

Since 1847, official U.S. postage stamps have been used to promote the people, places and events that represent the history of the United States.

Tlikakila River: Wild and Scenic Rivers stamp
Photo: Michael Melford

“The miniature works of art illustrated in the 2019 stamp program offer something for everyone’s interest about American history and culture,” Mary-Anne Penner, executive director of the USPS Stamp Services Program, said in a news release Nov. 20.

The Postal Service previewed 20 upcoming stamps or sets of stamps for 2019 in the news release. The stamps honor people including Marvin Gaye and Walt Whitman and range in subject from the USS Missouri battleship to four species of frogs. So far, I’ve been unable to obtain release dates for these stamps, but some info should be posted soon in the USPS Newsroom. Also, if you haven’t heard, the price of a Forever stamp will rise from 50 cents to 55 cents on Jan. 27, as approved by the Postal Regulatory Commission.

If you’d like to see the state-by-state list of Wild and Scenic Rivers, go to the map on the Wild and Scenic Rivers anniversary website and click on any state.

Previous Water Ways blog posts about this year’s anniversary:

Twelve Wild and Scenic Rivers stamps are scheduled for release in 2019. // Source: U.S. Postal Service

Amusing Monday: Earth becomes art when viewed from satellites

Scientists with the U.S. Geological Survey have created an “Earth-as-Art” collection of brilliant images from space, as seen from Landsat satellites.

Icy Vortex // Image: USGS, Landsat program

Some pictures of Earth formations are reminiscent of actual paintings; some include familiar objects; and some are like abstract creations. Some show the actual colors of earth, sea and sky, while some of the colors are created with filters to highlight natural colors or even to capture light beyond the visible spectrum.

These images remind me of the LIDAR images created by the Washington Department of Natural Resources, which I called works of art in a blog post nearly a year ago. See Water Ways, Dec. 11, 2017. I included images of Puget Sound among some satellite photos posted previously. See Water Ways, Sept.11, 2017.

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Amusing Monday: Wearing data to show changes in climate

Ed Hawkins, a professor of climate science who brought us climate spirals (see Water Ways, May 28, 2016) has inspired a line of products with his “warming stripes” that connect global temperature to a straight-line visual pattern.

Climate change tie and related items: Zazzle

Neckties, pendants, coffee mugs and more are based on Hawkins’ striped design that helps people visualize how the Earth has warmed since the late 1800s. Each stripe represents a range of temperatures, from shades of blue in cooler years to shades of red in warmer years.

The tie on the model (shown here on Zazzle) presents the average temperatures for the entire globe, while the second image is Hawkins’ graphic for the contiguous United States. Hawkins, a professor at the University of Reading in England, is always looking for new ways to convey climate change to average people.

On the first day of summer in June, many television meteorologists across the country wore neckties bearing the warming stripes, according to a story by Jason Samenow in the Washington Post’s blog Capital Weather Gang.

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Amusing Monday: Sand sculptors continue to shape offbeat creations

We’re near the peak of sand sculpture season, and the works being created this year by artistic sand masters seems to be as good or better than ever.

“Muse” by Pavel Mylnikov, first place at the Revere Beach International Sand Sculpting Festival.
Photo: Revere Beach Partnership

The latest event this past weekend was the Revere Beach International Sand Sculpting Festival in Revere, Mass., billed as America’s first public beach.

The first photo on this page shows the top prize winner in the contest titled “Vanishing Muse,” and the artist is Pavel Mylnikov. The second photo shows the People’s Choice Award, titled “A Nouveau Love” by Rachel Stubbs.

See all the winning photos on the Facebook page of the Revere Beach Partnership. Photographer Joe Siciliano of RevereBeach.com posted some nice photos on the website massive.com. Meanwhile, WBZ-TV in Boston produced a video of the event.

Another recent event, held in June, was the Hampton Beach Master Sand Sculpting Classic in New Hampshire. Photographer Matt Parker of Seacoast Online put together a nice photo gallery of the sculptures along with the artists at work. (If necessary, scroll down to June 18.)

In Cannon Beach, Ore., the annual Cannon Beach Sandcastle Contest attracted large teams of sculptors at various skill levels. The NBC Nightly News with Lester Holt visited the festival and produced a national story, shown in the video on this page. Results of the contest along with pictures can be seen on the festival’s website.

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Amusing Monday: Value of water featured in art contest for students

More than 1,300 students entered this year’s Water Resources Art and Poetry Contest, sponsored by New York City’s water utility, known as the Department of Environmental Protection. Some 60 winners were named as “Water Champions” by a panel of judges.

Art by Lily H., grades 6–7.
Photo: New York City DEQ Art and Poetry Contest

“For more than three decades, DEP’s annual Art and Poetry Contest has given young New Yorkers a wonderful opportunity to use their artistic abilities to learn about and express the importance of protecting our environment and water resources,” DEP Commissioner Vincent Sapienza said in a press release announcing the contest winners. “Nearly half the State of New York relies on the city’s water supply system, so this is a terrific way for students in both New York City and beyond to celebrate our shared natural resources.”

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Amusing Monday: Duck paintings help support wetland conservation

Artists possess the creative power to portray a simple bird — say a male mallard duck — in a multitude of ways, something I never really appreciated until I reviewed hundreds of duck portraits in the Federal Duck Stamp Contest.

The acrylic painting of mallard ducks by Bob Hautman of Delano, Minn., took first place in the Federal Duck Stamp Contest. // Photo: USFWS

Judges in the annual contest seem to prefer a super-realistic style. Each year, the winning entry is used to create a federal duck stamp, which are the stamps that waterfowl hunters must carry while hunting. They are also purchased by many people who care about conservation.

Details in the duck portraits are important, but it is also interesting to observe the landscapes that the artists place in the backgrounds and foregrounds of their pictures. Take a look at the Flickr page where 215 entries are shown in the latest contest sponsored by the U.S. Fish and Wildlife Service. Eligible species for this year’s contest were the mallard, gadwall, cinnamon teal, blue-winged teal and harlequin duck.

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Amusing Monday: Young artists inspired by endangered species

I’m hoping you will enjoy another dose of kids’ art, this time related to endangered species. An art contest was recently completed in concert with the 13th annual Endangered Species Day, which was this past Friday.

“Hawksbill Sea Turtle” by grand prize winner Brandon Xie, a fourth-grader in Lexington, Mass.
Image: Endangered Species Coalition

More than 1,500 students from around the United States entered this year’s “Saving Endangered Species Youth Art Contest,” according to organizers. The goal of the contest is to encourage public appreciation for imperiled wildlife and to increase support for saving endangered species.

“The artwork created by this generation of young people is clearly demonstrating how they think deeply about the plight of endangered species,” said Leda Huta, executive director of the Endangered Species Coalition, which sponsors the contest. “It is clear that they recognize not just our role in impacting wildlife and plants, but also our opportunities to bring them back from the brink of extinction. Each work of art is an inspiration to all of us to do more, to save more,” she said in a statement.

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