Tag Archives: writing

National Novel Writing Month!

Do you know about National Novel Writing Month?

Put in its simplest terms, it’s a challenge to write a novel of at least 50,000 words in the 30 days of November. Every year, thousands of writers push aside as many pressures on their time as possible and set goals of setting down around 2,000 words — or more — each day as they try to make their dreams of becoming published authors come true with one big push. And many authors who have been published use the month to push forward on their newest projects.

The best part of NaNoWriMo, as its participants call it, is that you’re not doing it alone. Every year, through the website, NaNoWriMo participants find fellow writers in their communities. They meet, they commiserate, they encourage one another, they hold each other accountable. (In Kitsap, you can find each other here.)

In 2008, my friend Craig Lancaster and I decided to take the NaNoWriMo challenge together. A fellow newspaper editor, Craig, like me, had always wanted to break into the novel-writing biz but hadn’t quite pushed himself forward.

I faceplanted. After getting a great start on a nasty little noirish crime novel about an estranged father and son who bond over a rising body count, I wandered off track with my narrative and decided to hit the reset button on Nov. 15. Yep, I started all over. I pushed hard, and wrote more than 10,000 words on Nov. 30, but in the end I came up short at just under 43,000 words.

Craig, by contrast, drew a much more confident bead on his project and knocked out some 80,000 words in just 24 days. Wow! He spent the next several weeks polishing up his manuscript, and had it ready to release as a self-published book by March 2009. The novel, titled 600-Hours Of A Life, was a lean, light comedy-drama about a man with Asperger Syndrome trying to broaden his narrow comfort zone in life before he turned forty.

Thanks to Craig’s tireless efforts and business savvy, the book began to find an audience, and virtually everyone who read it loved it. His relatively strong sales and standout reviews, mostly in his home state of Montana, drew the notice of a Montana outfit called Riverbend Publishing. By fall of 2009, Riverbend had re-released the book as 600 Hours Of Edward, bolstered its distribution reach, got it into the hands of more literary tastemakers … and, aided again by Craig’s tireless promotional work, touched some pretty rarified air.

By the time Edward won the High Plains Book Award, Craig had long since completed his second novel, The Summer Son. After shopping it to Riverbend, Craig made a deal this summer with AmazonEncore, the new publishing arm of the online bookselling giant, to release that novel in paperbook and e-book form in January 2011.

That’s right: Barely two years after we took the NaNoWriMo plunge, Craig’s literary star is on the ascendant. Backed by the fearsome global power of the world’s biggest bookseller, there’s just no telling what heights he’ll hit.

But … wait a minute, I can almost hear you saying. Just how did he get through NaNoWriMo to achieve this awesome success? What about the self-doubt we all deal with? The lack of direction? The lack of discipline? The pull of the pressures of everyday life? The gnawing fear that we really suck at writing?

I’m glad you asked. Because I asked Craig to share his perspective and advice, and he answered the bell as he always does.

Here’s what he had to say.

*****

Back in late October 2008, your kind blog host, Mr. Thomsen, asked me if I’d do National Novel Writing Month (aka, NaNoWriMo; aka, Couldn’t They Have Picked a Less Busy Month, Like, Say, March?) with him. After some hesitation, I agreed.

I’d been there before and had never finished the requisite 50,000 words in 30 days – had never really come close. I had no reason to expect that NaNoWriMo 2008 would be any different – especially since I hadn’t given it much thought and didn’t have a story idea.

As Jim’s already said, that November changed my life and gave some juice to my aspirations of being a novelist, a dream I’d long held but hadn’t done much work in realizing. Here, then, are five hints (plus one bonus observation) for making the most of NaNoWriMo, should you be just crazy enough to accept the challenge:

1.     Publication? Perish the thought: If you’re dreaming of a book deal and wearing an ascot in your author photo, you’re way too far ahead of yourself. NaNoWriMo is about tossing a lump of wet clay onto the wheel and beginning to fashion something. Your only expectation should be that you’ll be a ways down the road come Nov. 30. Even if you go truly stratospheric, like I did, and write 80,000 or so words, your story will not be ready for agents or publishers. Bank on it.

2.     Let inspiration carry you: When I started writing at midnight on Nov. 1, 2008, I had a basic story idea, a bare-bones outline intended to keep me focused and a lot of enthusiasm for the effort. That last bit mattered most. This is a 30-day festival of dumping the contents of your mind. Consider letting adrenaline, rather than richly detailed plot points, carry you. The ride is so much more interesting when the final destination isn’t known.

3.     Don’t fall behind: You know that vicious cycle of destitution that occurs when you don’t pay your bills? There are late fees and reconnection fees, and you end up in an even more precarious place. Same thing with NaNoWriMo. To get 50,000 words in 30 days, you have to write 1,667 words, minimum, each day. If you write 750 on the first day, you have to write 2,584 on Day 2. It doesn’t take long for the deficit to become more than you can make up. By the same token …

4.     Writing ahead is paying yourself: In 2008, I wrote 79,175 words by Nov. 25, my entire first draft of what became “600 Hours of Edward.” Here’s a day-by-day breakdown (in parentheses is each day’s progress):

Nov. 1, 2008: 5,763 (5,763)

Nov. 2, 2008: Off

Nov. 3, 2008: Off

Nov. 4, 2008: 11,183 (5,420)

Nov. 5, 2008: Off

Nov. 6, 2008: 13,721 (2,538)

Nov. 7, 2008: 16,963 (3,242)

Nov. 8, 2008: 20,439 (3,476)

Nov. 9, 2008: Off

Nov. 10, 2008: 23,085 (2,646)

Nov. 11, 2008: 27,293 (4,208)

Nov. 12, 2008: 30,744 (3,451)

Nov. 13, 2008: 34,558 (3,814)

Nov. 14, 2008: 39,886 (5,328)

Nov. 15, 2008: Off

Nov. 16, 2008: Off

Nov. 17, 2008: Off

Nov. 18, 2008: 43,846 (3,960)

Nov. 19, 2008: 51,811 (7,965)

Nov. 20, 2008: 54,816 (3,005)

Nov. 21, 2008: 60,837 (6,021)

Nov. 22, 2008: 63,957 (3,120)

Nov. 23, 2008: Off

Nov. 24, 2008: 73,208 (9,251)

Nov. 25, 2008: 79,175 (5,967)

Look at all those days off. I’m convinced, in retrospect, that the ample rest kept me sane, because on days I was writing, I clearly had time for little else.

5.     Move forward, always: I disdain most mechanical writing advice, believing that no one can tell anybody else how to coax a story into existence. But NaNoWriMo is different; if you’re doing this thing, presumably you’re doing it because you relish the challenge of the word count. (If you don’t relish that challenge, why bother with a contest? Just write.) So here’s the key: no backtracking, no rewriting, no revising. Every word should move your story forward. You most assuredly will have to rewrite, probably extensively. That’s what December and beyond are for.

6.     It’s OK to sit this one out: Having written one novel under the auspices of NaNoWriMo and one in a more traditional way (three-month first draft, followed by nine months of revisions), I have to tell you that I’ll probably never again do the NaNoWriMo thing. Word count is a pretty flimsy construct in the first place; when someone asks me how long a story should be, my answer is: As many words as it needs, and not one more. To then squeeze those 50,000 words out under intense pressure no doubt leads to some irretrievably poor writing. If it’s the challenge you want, that’s one thing. But if you’re aiming for a writing career, you should ask yourself some hard questions about what you want from a month’s work. It’s entirely possible that NaNoWriMo won’t offer what you’re seeking.

*****

Thanks, Craig. Sage words indeed.

And that’s all I shall say, at the risk of writing a 50,000-word blog post.

Well, there is more more thing.

Good luck!

Kitsap Authors Help Write A Novel … Live!

Bainbridge Island children's author Suzanne Selfors takes her turn onstage at "The Novel! Live" Wednesday at the Richard Hugo House in Seattle.

The Novel: Live! is in its third day. It’s a six-day endeavor in which 36 authors with Seattle-area ties — including six from Kitsap — each spend two hours writing a share of a novel before a live audience online at at the Richard Hugo House in Seattle.

The event, in which audience members can purchase character names, is a fundraiser for two Seattle-area literacy-promotion programs. Once the event is over this weekend, the book will undergo a round of editing and then be released for sale as an e-book.

As I write this, “at bat” is Bainbridge Island children’s book author Suzanne Selfors. She’ll be followed, from 2 to 4 p.m., by fellow Bainbridge author Carol Cassella. (You can follow the “action” live here, and read what’s been written so far here.)

Mary Guterson, who lived on the island until last year, takes her turn at 4 p.m. Thursday. (I expect to be on hand at the Hugo House for that, and will share some pictures.) Jamie Ford, the South Kitsap grad who now lives in Montana, takes the stage at 10 a.m. Saturday, and the last turn of the event will be taken by Bainbridge’s Susan Wiggs at 4 p.m. Saturday.

It’s an interesting concept that was most famously tried in the mid-’90s, before the days of streaming Internet, by a group of 13 Florida authors. Their effort was the comic mystery novel Naked Came The Manatee. But The Novel: Live! is different expressly because of its live element, and that has caused some trepidation among some of the authors I know who are participating in this endeavor — authors who are used to writing amid quiet and solitude.

Bainbridge author Kathleen Alcala put in her two hours Monday morning, and I asked her how it went. Her response:

It turned out to be really fun! My personal fear factor was that I would freeze up. I had a “cheat sheet” with me that just named places and ideas for people, to keep me grounded in images. I ended up writing over 2500 words in two hours, which is good for me. I joked with my editor that I should try writing in public more often.

There were around ten people coming and going while I wrote. Two friends stopped by to have a book signed (which annoyed the organizers while I went off-camera to do so), and another friend stopped by while walking her dog, so we had a glass of wine after I finished. More people were watching and commenting online. When I asked for suggestions for names for the twins, seven sets were submitted! So we auctioned that off in the evening.

I asked Jamie Ford about how he was anticipating his coming turn at the literary plate, and here’s what he had to say Monday:

I popped by this afternoon and it’s a really cool set-up. I’m not too worried about the “live” aspect. My first job out of college was working for a newspaper, which helps with the chaos-factor. At the paper I was at a desk, out in the open. Phones were ringing, people were always wandering by, police scanners were going off, that kind of thing. I think the “live” aspect is the best part, since writing is such a solitary job–the change up is exciting. As far as what emerges–It’s my sense that all of the writers involved are taking the story seriously, and the writing seriously, even though the process might be more of a spectacle. And of course it’s for a good cause.

So there you are. Sounds like as much fun to be a spectator, too. Especially since the Hugo House is hosting happy hours from 4 to 6 p.m. and 8 to 10 p.m. each day. You better believe I’ll be all over that. You should too, if you’re in the Capitol Hill area and have the time to spare.

Wait A Minute … They Took A Taxi From Bremerton to Bainbridge Island?

Authors Joshilyn Jackson, Jane Smiley, Tatjana Soli, event organizer Robbie Wright, and authors Josie Brown and Eileen Goudge

Last week’s “Between The Pages” event on Bainbridge Island wasn’t perfect, as you’ll see below … but it was a success. (Let me check that: Once things got to Bainbridge, things were perfect.) But an enthusiastic crowd of about 75, paying at least $50 a ticket, came out to support the Kitsap Regional Library system and listen to a powerhouse lineup of female authors — Jane Smiley, Josie Brown, Eileen Goudge, Joshilyn Jackson and Tatjana Soli — read from their latest books.

Here’s a six-minute video of the evening‘s highlights, prepared by event organizers Robbie Wright and Liberty Bay Books owner Suzanne Droppert.

And when I asked Josie Brown to reflect on the evening, here’s what she had to say:

It was a great adventure, for sure. We had plenty of time to get to the ferry. Too much, apparently, because we got onto the wrong one: the Bremerton one as opposed to the Bainbridge — and didn’t realize it, until we almost docked and my husband, Martin, timidly asked me (because he thought I’d faint): “Hon, um, wasn’t this ferry ride supposed to be a half-hour, tops?”

A mad rush by taxi (we had a colorful driver — Anthony, originally from Buffalo, and the topic with him jumped from his tenure in the armed services to his job as a masseuse, to hemp clothing) and we were there, only fifteen minutes late. Jane was laughing because she’d made it over earlier that morning to visit a pal — and she was the one we thought would get lost or be late, as she’s always the one texting, “I have to be where? When?”

It was a wonderful crowd! Friendly, inquisitive, and obviously avid readers. What I love, too is that there were quite a few teachers and librarians there as well.

Eileen calls us “The Sisterhood of the Traveling Books.” Most of us met face-to-face for the first time just the night before, but you’d think we’d known each other for quite some time, the way everyone got along. Joshilyn is a consummate performer: you can tell she was an actress in her previous profession. Tatjana gives an eloquent read. Her book is serious, but she is lighthearted and fun. She and her husband, Gaylord, dance the tango!

The way back — this time the RIGHT ferry — was too short. It was fun just to sit together and recapped the fun. I hope everyone in the audience had as much fun as we had.

The Literary Agent Who Became a Book Publisher

If you want to know how quickly and surprisingly the business of publishing books is changing, look no further than the third floor of Sharlene Martin‘s house on north Bainbridge Island.

There, the offices of the Martin Literary Management are a nearly nonstop buzz of activity. But it’s not buzzing just with the business-as-usual of the literary agency, which represents mostly inspirational memoirs, celebrity biographies, true crime and other commercial nonfiction — three of which were New York Times bestsellers in the past year.

It’s buzzing because Martin and her crew are getting ready to publish their first book.

Wait a minute. A literary agent publishing the work she represents? Is this how the publishing industry is supposed to work?

Not normally, no. But what’s normal these days in book publishing, which is undergoing a seismic shift in how books are developed and distributed?

“Not much,” Martin conceded with a laugh.

A case in point is the book that’s generating the buzz. Cirque Du Salahi: Be Careful Who You Trust is the story of Tareq and Michaele Salahi, who Martin represents along with the author, investigative journalist Diane Dimond.

The Salahis are the high-society Washington D.C. couple who made headlines back in November 2009 when they got past the Secret Service into a White House state dinner. The so-called “White House party-crashers” stirred up a lot of controversy and curiosity — more so the latter of late since Michaele Salahi joined the lineup of the reality TV show, The Real Housewives Of D.C.

It’s that latter fact that drove Martin to make the unusual choice to publish the Salahi story on her own, in cooperation with Amazon.com, because she wanted the book to come out in time to capitalize on the latest rise in profile for the couple. In particular, she wanted a product ready to buy before the TV series ended Oct. 7.

“It’s a decision I consciously made. I did not shop this to traditional New York publishers,” said Martin, a Connecticut native who relocated to Bainbridge a few years ago with her partner, author Anthony Flacco. “There was no way they could accommodate the window of sales opportunity for this book — it would have been obsolete by the time they could have gotten it ready.”

(Generally speaking, it takes about two years from the time a book is sold to a publisher for it to appear on bookshelves.)

So what was Martin’s alternative? 

In her view, to publish it through the CreateSpace program offered by Seattle online book giant Amazon. That took care of preparing and distributing print and electronic versions of the book. 

Everything else fell to Martin and her crew.

“All the decisions a publisher had to make, I made,” she said.

And then some.

First, she had to bring a writer on board, and a natural choice was Dimond, her longtime client. Then came editing, legal vetting, cover and interior designing, promotional strategizing and a zillion other chores big and small. Almost everything a big New York publishing house would do was handled in the lovely home overlooking the island’s Sand Spit. (Flacco, for example, was dragooned into duty as the project’s content editor.)

Another unusual quirk: Everybody involved is taking whatever financial rewards may result on the back end of the book’s release, in lieu of the advance-money arrangements commonly made with traditional book deals.

“We’re calling it a sweat-equity book,” Martin said.

The Kindle as well as trade paperback version of Cirque Du Salahi became available Sept. 15. A promotional blitz, largely centered on the East Coast where interest in the Salahis is strongest, will follow. 

In lieu of a traditional book tour with on-site signings in bookstores, Martin and Co. are arranging for “Virtual Book Chats” in which, at scheduled times, people can log on for a live chat with Dimond and the Salahis and participate in live question-and-answer sessions.

Martin, ever the promoter, says that the book reveals information heretofore unknown about the Salahis, gleaned through Dimond’s exhaustive fact-checking, interviews and research. She calls many of media stories about the couple “urban myth,” and the book’s jacket copy  echoes that thought:

This journalistic autopsy reveals how one event can capture a ravenous media’s attention, become the fodder for bogus political drama, and with razor-sharp and misplaced attention, ruin the reputation of a politically connected couple who did little more than attend a White House function for which they believed they had an invitation.

Later, Martin, a frequent writing-workshop instructor, will try to use her self-publishing experiment as a teaching moment. “We want to set up a program at colleges around the country for journalism students, about how they can do this kind of project themselves,” she said.

It’s a talk that Martin has walked for herself, having taken her first foray into author-dom last November with the release of Publish Your Nonfiction Book, co-written with Flacco and published by Writer’s Digest Books as a how-to guide for preparing would-be authors for publishing success.

Working on an unforgiving deadline for their publisher made Martin feel “like every day, I was taking my SATs,” she said. “I have a whole new respect for how hard authors work.”

It should be noted that Martin’s foray into self-publishing hasn’t burned any of her many bridges with the traditional book-publishing establishment. As usual, she has several projects in play — most recently, she’s been working on a memoir by Hillary Williams, daughter of country music legend Hank Williams Jr. — and many are being published through big New York houses.

But that doesn’t mean that Cirque Du Salahi is a one-shot deal.

“We’ll apply this paradigm in the future,” Martin said, “where it’s appropriate.”

My guess is that she won’t be the only one.

Said Martin: “We’re been playing a new game with old rules. And that has to change, or a lot of people are going to go out of business.”

Reading Kitsap on Facebook

Are you on Facebook? Of course you are. The entire world is on Facebook.

So is Reading Kitsap. I’ve created a Facebook page for this blog. If you’re on Facebook as much as I am, then you’ll like how it gives you a much easier way to keep up to speed on new blog posts. Also, I like to survey people there on various book-related topics, and post links to other items I think you might find interesting. Plus, there’s the whole connect-with-other-people-in-your-community-who-share-your-interests thing.

And there’s the interactive component. I’ve decided to be pretty lenient about letting anyone who wants to share a link, a news tidbit or some media about the Kitsap literary scene — or the literary scene in general — do just that. If you’re a writer, book-club leader, or whatever, I’m pretty open to letting you promote your work on the Reading Kitsap wall as long as you’re not crass about it.

So … go to your Facebook account, type “Reading Kitsap” in the search field, click “Like” once you get there, and join in the conversations. There’s 53 of already there, as of this writing, all of whom like, generally, the same things you do.

Thanks for reading Reading Kitsap. And thanks for reading Kitsap. And thanks for reading.

Romance Writers Honor Debbie Macomber on Saturday

Debbie Macomber will be the featured speaker when the Peninsula Chapter of the Romance Writers of America meet at 10 a.m. Saturday at the Sylvan Way Branch of the Kitsap Regional Library in East Bremerton.

Macomber, who helped found the chapter in 1986, will do a Q&A with attendees, and she’ll also be celebrated by her home chapter for her receipt of the national organization’s Nora Roberts Lifetime Achievement Award. (She formally received the prestigious prize at RWA’s annual conference in late July, following in the footsteps of romance-writing legend Linda Lael Miller, a former Kitsap resident, who received the same award in 2007.) The award is given “in recognition of significant contributions to the romance genre.”

The meeting is open to anyone interested.

The Peninsula RWA chapter, with 70 members, covers the Kitsap and Olympic peninsulas, as well as the Tacoma area. “We support all writers in all genres, not just romance,” said Jennifer Conner, chapter president. “We bring in speakers, editors, agents and other authors to help our members hone their craft and become stronger writers.”

And Conner, a 1979 South Kitsap High graduate, is proof that it works. Her first published romance novel, Kilt By Love, will be released Sept. 27. (It was her seventh manuscript.) Congratulations, Jennifer.

Here’s the summary from Conner’s blog:

When Sasha Nolan loses her job as an events planner, she decides to take her dream vacation to Scotland. Her plan is to find out what Scotsmen wear under their kilts, but instead, she’s stuck on a tour bus of senior citizens. When she meets Allister MacTavish, a modern day laird, all that changes. There’s one simple rule for her vacation, kilt, conquer and leave. Can Sasha follow her rule when Allister asks for her help in creating a plan to rescue MacTavish Castle from financial ruin? Suddenly Sasha finds that she’s tempted to abandon her old life, help Allister, and indulge in every sexual fantasy she’s ever had. Because now, she’s found out what Scotsmen wear under their kilts…nothing at all.

Rick Bass Started Out by Writing Short Stories on His Lunch Breaks

Way behind on this stuff, but trying to catch up a little at a time over the next few days.

I’ve talked plenty about the Between The Pages event Thursday night on Bainbridge Island, but there’s another literary heavy hitter in town that evening as well: Rick Bass, a Mississippi-bred author who now lives in Montana, will be reading at 7:30 p.m. at Eagle Harbor Book Co. from his first novel after nearly a decade of nonfiction writing, Nashville Chrome, a 1959 tale of Southern music, family, rivalries and secrets. Publisher’s Weekly loved it: “Like the sound Chet Atkins pulls from the Browns in the studio, the narrative has a pitch-perfect chorus of longing and regret, with an undertone that connects and heals.”

(Here’s another review.)

I wish I could be there; Bass sounds entirely too interesting. From his Wikipedia page: “He started writing short stories on his lunch breaks while working as a petroleum geologist in Jackson, Mississippi.” So let that be a little sunburst of inspiration to everyone who thinks they’re too busy with their everyday lives to write a book. Because you’re not.

Literary Heavy Hitters Go to Bat for Kitsap Libraries

Authors of literature are usually valued in society as philosophers, sages and teachers. Oh, and quality drinking companions (in my experience, anyway).

To that list, add superheroes.

It’s in the latter mode that five highly regarded fiction writers from all over the United States are coming Thursday to Bainbridge Island for a public reading and reception. Their mission: To raise money for the cash-strapped Kitsap Regional Library system.

Jane Smiley

The $50-a-ticket “Between The Pages” event, at the Bainbridge Performing Arts center, features one marquee name: Jane Smiley, the Pulitzer Prize-winning author of A Thousand Acres, a modern-day retelling of Shakespeare’s King Lear which was later made into a movie starring Jason Robards, Jessica Lange and Michelle Pfeiffer.

Josie Brown

Joining Smiley are four other female authors with strong national reputations: Josie Brown, Eileen Goudge, Joshilyn Jackson and Tatjana Soli.

Eileen Goudge

For 90 minutes, they’ll read from their latest novels (more on those below), interview each other and possibly take some questions from the audience, Wright said. They’ll stay for another 40 minutes after to chat and sign copies of their books.

“My karmic way of giving back is to come up with ideas in which the sales of my books can help good causes,” said Brown, a Bay Area author who helped spearhead the event. (She even arranged for copies of her newest novel, Secret Lives Of Husbands And Wives, to be included in the ticket price.)

Brown is friends with Robbie Wright, a corporate events planner who lives on Bainbridge. When Wright told her last spring about the library system’s woes — budget cuts, past levy failures and the theft of children’s books from the Port Orchard branch — Brown came up with the fundraiser idea.

They quickly enlisted Peter Raffa, director of the Kitsap Regional Library Foundation, and the three drew up a wish list of names. One glittery name at the top of their list — show-business novelist Jackie Collins — initially committed to the Between The Pages event.

Joshilyn Jackson

But, Brown said, Collins had to drop out when when the date for the London premiere of a movie based on one of her books shifted from summer to fall. Also having to drop out was novelist Lisa Rinna, who saw the release of her latest novel shifted to October.

They got Smiley, their other top name, to come up from her Northern California home, however. Goudge, a New York author with a second home in the Puget Sound area, came on board next, followed by Jackson, a Georgia resident, and Soli, who lives in Southern California.

Tatjana Soli

All write what could be labeled literary, issue-driven women’s fiction.

“They are heavy hitters, all of whom have have books that resonate with library patrons all over the country,” Brown said. “And there are no more avid readers than those in the Seattle metro area. That’s a known statistic in the book industry.”

And, she added: “Any excuse to get out into the incomparable Puget Sound area is a writer’s joy. Which is why so many great ones live in your neck of the woods, right?”

*****

Sad disclosure: As things stand now, I won’t be able to attend the event, as I must punch in for my regular Thursday swing shift at the paragraph factory in Bremerton. However, if you’re going and bringing a camera, would you mind sharing some of your shots with me so I can share with everyone? E-mail me at thomsen1965@gmail.com. And please share some of the funny anecdotes and other highlights of the evening. And cake, if there’s any.

*****

A little about each author and their latest books:

• Jane Smiley, who has published 13 novels, three nonfiction books and a short-story collection over a 30-year career, came out earlier this year with her latest, Private Life, which follows one Midwestern woman’s life in marriage from the 1880s to World War II. Said Booklist: “Smiley casts a gimlet eye on the institution of marriage even as she offers a fascinating glimpse of a distant era.”

• Josie Brown is a journalist who specializes in celebrity interviews and relationship articles. Her previous novels include True Hollywood Lies and Impossibly Tongue-Tied; her latest release, just out in June, is Secret Lives Of Husbands And Wives, which examines the dramas of two vastly different Silicon Valley couples. Wrote Booklist: “These women inside their fishbowl are fun to peer in on despite being caricaturish, and the momentum of Brown’s writing and plot keeps the pages turning.”

• Eileen Goudge broke into book publishing by contributing to the crazily successful Sweet Valley High series for young teen girls in the early ’80s. She published her first adult novel in 1986, and her latest, released last October, is Once In A Blue Moon, a tale of two tempestuous sisters and their secrets. Said Publisher’s Weekly: “A touching story with wide appeal, Goudge’s novel is a sharp example of dysfunctional family fiction.”

• Joshilyn Jackson, a Florida native and former teacher, broke into book publishing with a splash, with 2005’s gods in Alabama. Her fourth book, released in June, is drawing her biggest notices: Backseat Saints, a Southern-fried tale of an abused woman who runs from the husband who will never let her go. Said Booklist: “Jackson peels back Rose’s hard edges and resignation to reveal a smart, earnest, brave, and surprisingly hopeful young woman who yearns to make a better life for herself.”

• Tatjana Soli, born in Austria, wrote and published short stories for years before breaking out this spring with her debut novel, The Lotus Eaters, an exhaustively researched story of a female wartime photographer in Southeast Asia at the close of the Vietnam War. Wrote Kirkus Reviews: “Graphic but never gratuitous, the gripping, haunting narrative explores the complexity of violence, foreignness, even betrayal. Moving and memorable.”

*****

Between The Pages: A fundraising event for the Kitsap Regional Library Foundation

Who: Authors Jane Smiley, Josie Brown, Eileen Goudge, Joshilyn Jackson and Tatjana Soli

When: Thursday, 7:30 p.m.

Where: Bainbridge Performing Arts Center, 200 Madison Ave. N., Bainbridge Island

Tickets: $50 (includes copy of Brown’s novel, Secret Lives Of Husbands and Wives), with discount available for groups of eight or more; and $150 for “VIP” access, which includes a catered pre-event reception with the authors and copies of each of their latest novels. Purchase at Liberty Bay Books, 18881 D Front St., Poulsbo.

More Info: For ticket info, Peter Raffa, (360) 475-9039; for event info, Robbie Wright, (206) 390-1989

Carol Cassella On Her New Novel, “Healer”

If Carol Cassella had her way, you would not be able to buy a copy today of her new novel, Healer.

Not today, and maybe not any time soon.

“I really had to struggle to discover the heart of this story,” Cassella told me over a recent lunch at the Treehouse on Bainbridge Island. “I started out with such a clear idea of where the plot should go, but the characters I was developing and the emotional impact I was going for kept taking me in a different direction.

“Writing it was a very difficult two years. Just before my deadline, I wanted to rewrite it as a whole different story. But then I had to turn it in to my publisher.”

That being said, Cassella’s editor was happy with what she turned in.

“And sometimes the editor sees that way before the author does,” she said.

And that being said, Cassella had good reasons for her second-novel jitters.

Healer, much like Oxygen before it, started as a medical mystery — almost a genre exercise, she said. Cassella, an anesthesiologist at Virginia Mason Medical Center in Seattle, started it when she found herself intrigued by the shadowy world of big money and biotech research. But while Oxygen dwelled in a world she intimately knew — her main character was an anesthesiologist, after all, and the story was split between Seattle and her native Texas — Healer dragged Cassella far out of her self-confessed comfort zone.

For one, the story is set in a fictional Eastern Washington town (basically, a stand-in for one of the more touristy villages in the Methow Valley). For another, Cassella may be a physician, but she said that going into the writing of Healer, the biotech world was as big a mystery to her as it probably is to you or me. Three, the narrator is a doctor who gave up medicine fifteen years before, and because she lacks board certifications, works in a small clinic that handles migrant laborers on a sliding scale. Cassella, by contrast, still works (albeit part-time), and today — release day — is just another day in a white lab coat for her.

More about the story: Claire Boehning, at 43, sees her upscale Seattle world turn upside-down when her biotech-researcher husband, Addison, loses all his venture and personal capital to a gamble on an anti-cancer drug that flunks its early trials. The couple, who have a 14-year-old daughter, are broke. They sell their tony home on Lake Washington and retreat to their ramshackle second home in the tiny town of Hallam. Faced with a looming inability to pay even the most baseline of bills, Claire hauls her medical license out of mothballs. But all she finds is a job of last resort, at a clinic run by an aging, ailing and overworked old doctor. Meanwhile, Addison is desperately traveling the country, meeting with venture capitalists, trying to revive interest in a drug he’s convinced was unfairly derailed. Suspense looms over some big questions: Was the drug flawed, or were the trials flawed? Will big money trump big science? Will some key characters do the easy thing … or the right thing?

As readers of Oxygen know, Cassella doesn’t tilt toward happily-ever-after endings. Nor does she fatalistically throw up her hands in the face of what seems like an impenetrable ethical and moral quagmire. What usually happens in her work, just as in real life, is a tense and deliberate detangling of some serious gray areas. And so, in a sense, the mystery that Cassella said she started out to write remains intact after all.

“I may have started out one way, but I never wanted to write just a black-and-white story,” Cassella said. “I find that the gray zone is a far more interesting place.”

Finding her gray zone came through years of craft development, much of it through Bainbridge’s Field’s End and critique partners in the author community around Kitsap County. As difficult as Healer was to finish, the making of Oxygen, Cassella makes clear, was much longer and harder. She started as one of probably a zillion people in middle age who wanted to write, but had no idea what … or how.

“If you get to midlife and you’re not going to buy a Ferrari or argue the bigger questions, you’ve got to do something,” she said with a smile. “It became obvious that I had to write because I wasn’t going to stop beating myself up for not writing.”

That said, Cassella was generally happy in her career and in her family life, as a wife and mother of two sets of twins, ages 14 and 15. And her motivation for writing at the time was to finish a book so she could say that she’d finished a book … and then put it on a shelf. “I wanted to write, but everything else got in the way. Like folding laundry,” she said. “I learned that I couldn’t wait for time to write. I had to make time to write.”

But, with the encouragement of author friends, she spent three years writing the book, and used Oxygen to shop for an agent, and after that, a publisher. There were rejections along the way, but the book found its home, and continues to be a big success over two years after its release. It’s had about 10 foreign translations, and just recently made a big splash in Canada as Wal-Mart’s “Read Of The Month” up there.

The book’s success meant that Cassella, soft-spoken in person, had to develop a public persona for signing and touring. “It’s not in my natural grain,” she admitted.

But, like thousands of other authors who have likely said the same, she’s found her way. And Kitsapers can see for themselves when Cassella appears 3 p.m. Sunday at Eagle Harbor Book Company to read from Healer and sign copies. (She’s also appearing at 7 p.m. Thursday at Elliott Bay Books in Seattle.) After that, she hits the road out of state for nearly three weeks before making some more stops at bookstores up and down Puget Sound. (Click here for her schedule.)

And then it’s back to work on book No. 3, already in progress.

“My next book will be a medical mystery, about a woman who’s a doctor,” she said. But then she hastens to add: “It’ll have different voices, a different feel and a different theme.”

Just like Healer does. Oxygen it isn’t. And while I’m no critic, I’m confident in saying that it, like the book itself, is a good thing.

Even if Cassella isn’t quite able to admit that yet.

A Twisted Image: Judging Books By Their Covers

Gregg Olsen, the Olalla author of fiction thrillers and true-crime books, was kind enough to send me the cover (above) for the paperback release next spring of his latest nonfiction work, A Twisted Faith. It is, to say the least, a pretty startling departure from the hardcover version that came out this spring (below). (Bainbridge Islanders, at least, will note that the church in the cover is most definitely not the church at the center of Olsen’s tale.)

In fact, I’d go so far as to say that the hardcover says: “This is an ambitious work of literary nonfiction that stretches beyond the genre.” And that the paperback cover says: “Downmarket true-crime book-of-the-month fare.” (I’m not badmouthing Olsen here, by the way; like most authors, he’s not involved in the cover-design process. It’s my understanding that very few authors have that veto power.)

One can only speculate about what changed in the thought process at the New York offices of St. Martin’s Press between the selecting of the respective covers.

In fact, one can only speculate why publishers change the design from hardcovers to paperbacks at all. Seems like a needless expense, doesn’t it?

What happened with Gregg Olsen’s book also happened, to a less extreme but somewhat similar extent, with the late Bainbridge Island author Jack Olsen and his literary crime masterpiece, Salt Of The Earth, in 1996 and 1997.

Compare the hardcover (above) with the paperback cover (below).

Now, while I wouldn’t call this paperback cover “ugly,” I do think the term “downmarket” applies here as well. Note the hallmarks of the mass-market true-crime book here: The ripped photographs, the blood-red type and the much bolder title type. (And I’d bet a serious amount of money that Jack and his publisher fought like hell over whether the background color would be black or white … and that Jack won.)

And the change in quotes is quite telling, too. The hardcover features a lovely quote from fellow Bainbridge Island author David Guterson: “A literary achievement of the highest order.” For the paperback, the publisher switched to a quote from Salt Of The Earth‘s review in The New York Times: “Pulls you along irresistibly.” Note the change in appeal from the head to the gut.

Speaking of Mr. Guterson, as his former students at Bainbridge High School called him, let’s take a look at the contrast between one of his hardcovers and the paperback edition. Here’s the hardcover of his 1998 second novel, East Of The Mountains ….

… and the paperback cover.

If you’re like me, you’re thinking: “They’re both beautiful covers … but why did the change need to be made?” And maybe: “I wonder how much in royalties David Guterson lost because someone decided they needed to shell out for a new cover design for the paperback?”

Well, that’s why the geniuses all live and work in New York, and we’re just idiot readers in Kitsap who ought to keep our mouths shut and just buy books unquestioningly, right?

And lest I complain too much, let’s not forget that things could always be worse. Gregg, even the good-humored good sport, shared with me a blog post he wrote a while back on the worst book covers in true crime. And here’s one he missed ….