Tag Archives: Bainbridge Island

Wait A Minute … They Took A Taxi From Bremerton to Bainbridge Island?

Authors Joshilyn Jackson, Jane Smiley, Tatjana Soli, event organizer Robbie Wright, and authors Josie Brown and Eileen Goudge

Last week’s “Between The Pages” event on Bainbridge Island wasn’t perfect, as you’ll see below … but it was a success. (Let me check that: Once things got to Bainbridge, things were perfect.) But an enthusiastic crowd of about 75, paying at least $50 a ticket, came out to support the Kitsap Regional Library system and listen to a powerhouse lineup of female authors — Jane Smiley, Josie Brown, Eileen Goudge, Joshilyn Jackson and Tatjana Soli — read from their latest books.

Here’s a six-minute video of the evening‘s highlights, prepared by event organizers Robbie Wright and Liberty Bay Books owner Suzanne Droppert.

And when I asked Josie Brown to reflect on the evening, here’s what she had to say:

It was a great adventure, for sure. We had plenty of time to get to the ferry. Too much, apparently, because we got onto the wrong one: the Bremerton one as opposed to the Bainbridge — and didn’t realize it, until we almost docked and my husband, Martin, timidly asked me (because he thought I’d faint): “Hon, um, wasn’t this ferry ride supposed to be a half-hour, tops?”

A mad rush by taxi (we had a colorful driver — Anthony, originally from Buffalo, and the topic with him jumped from his tenure in the armed services to his job as a masseuse, to hemp clothing) and we were there, only fifteen minutes late. Jane was laughing because she’d made it over earlier that morning to visit a pal — and she was the one we thought would get lost or be late, as she’s always the one texting, “I have to be where? When?”

It was a wonderful crowd! Friendly, inquisitive, and obviously avid readers. What I love, too is that there were quite a few teachers and librarians there as well.

Eileen calls us “The Sisterhood of the Traveling Books.” Most of us met face-to-face for the first time just the night before, but you’d think we’d known each other for quite some time, the way everyone got along. Joshilyn is a consummate performer: you can tell she was an actress in her previous profession. Tatjana gives an eloquent read. Her book is serious, but she is lighthearted and fun. She and her husband, Gaylord, dance the tango!

The way back — this time the RIGHT ferry — was too short. It was fun just to sit together and recapped the fun. I hope everyone in the audience had as much fun as we had.

The Literary Agent Who Became a Book Publisher

If you want to know how quickly and surprisingly the business of publishing books is changing, look no further than the third floor of Sharlene Martin‘s house on north Bainbridge Island.

There, the offices of the Martin Literary Management are a nearly nonstop buzz of activity. But it’s not buzzing just with the business-as-usual of the literary agency, which represents mostly inspirational memoirs, celebrity biographies, true crime and other commercial nonfiction — three of which were New York Times bestsellers in the past year.

It’s buzzing because Martin and her crew are getting ready to publish their first book.

Wait a minute. A literary agent publishing the work she represents? Is this how the publishing industry is supposed to work?

Not normally, no. But what’s normal these days in book publishing, which is undergoing a seismic shift in how books are developed and distributed?

“Not much,” Martin conceded with a laugh.

A case in point is the book that’s generating the buzz. Cirque Du Salahi: Be Careful Who You Trust is the story of Tareq and Michaele Salahi, who Martin represents along with the author, investigative journalist Diane Dimond.

The Salahis are the high-society Washington D.C. couple who made headlines back in November 2009 when they got past the Secret Service into a White House state dinner. The so-called “White House party-crashers” stirred up a lot of controversy and curiosity — more so the latter of late since Michaele Salahi joined the lineup of the reality TV show, The Real Housewives Of D.C.

It’s that latter fact that drove Martin to make the unusual choice to publish the Salahi story on her own, in cooperation with Amazon.com, because she wanted the book to come out in time to capitalize on the latest rise in profile for the couple. In particular, she wanted a product ready to buy before the TV series ended Oct. 7.

“It’s a decision I consciously made. I did not shop this to traditional New York publishers,” said Martin, a Connecticut native who relocated to Bainbridge a few years ago with her partner, author Anthony Flacco. “There was no way they could accommodate the window of sales opportunity for this book — it would have been obsolete by the time they could have gotten it ready.”

(Generally speaking, it takes about two years from the time a book is sold to a publisher for it to appear on bookshelves.)

So what was Martin’s alternative? 

In her view, to publish it through the CreateSpace program offered by Seattle online book giant Amazon. That took care of preparing and distributing print and electronic versions of the book. 

Everything else fell to Martin and her crew.

“All the decisions a publisher had to make, I made,” she said.

And then some.

First, she had to bring a writer on board, and a natural choice was Dimond, her longtime client. Then came editing, legal vetting, cover and interior designing, promotional strategizing and a zillion other chores big and small. Almost everything a big New York publishing house would do was handled in the lovely home overlooking the island’s Sand Spit. (Flacco, for example, was dragooned into duty as the project’s content editor.)

Another unusual quirk: Everybody involved is taking whatever financial rewards may result on the back end of the book’s release, in lieu of the advance-money arrangements commonly made with traditional book deals.

“We’re calling it a sweat-equity book,” Martin said.

The Kindle as well as trade paperback version of Cirque Du Salahi became available Sept. 15. A promotional blitz, largely centered on the East Coast where interest in the Salahis is strongest, will follow. 

In lieu of a traditional book tour with on-site signings in bookstores, Martin and Co. are arranging for “Virtual Book Chats” in which, at scheduled times, people can log on for a live chat with Dimond and the Salahis and participate in live question-and-answer sessions.

Martin, ever the promoter, says that the book reveals information heretofore unknown about the Salahis, gleaned through Dimond’s exhaustive fact-checking, interviews and research. She calls many of media stories about the couple “urban myth,” and the book’s jacket copy  echoes that thought:

This journalistic autopsy reveals how one event can capture a ravenous media’s attention, become the fodder for bogus political drama, and with razor-sharp and misplaced attention, ruin the reputation of a politically connected couple who did little more than attend a White House function for which they believed they had an invitation.

Later, Martin, a frequent writing-workshop instructor, will try to use her self-publishing experiment as a teaching moment. “We want to set up a program at colleges around the country for journalism students, about how they can do this kind of project themselves,” she said.

It’s a talk that Martin has walked for herself, having taken her first foray into author-dom last November with the release of Publish Your Nonfiction Book, co-written with Flacco and published by Writer’s Digest Books as a how-to guide for preparing would-be authors for publishing success.

Working on an unforgiving deadline for their publisher made Martin feel “like every day, I was taking my SATs,” she said. “I have a whole new respect for how hard authors work.”

It should be noted that Martin’s foray into self-publishing hasn’t burned any of her many bridges with the traditional book-publishing establishment. As usual, she has several projects in play — most recently, she’s been working on a memoir by Hillary Williams, daughter of country music legend Hank Williams Jr. — and many are being published through big New York houses.

But that doesn’t mean that Cirque Du Salahi is a one-shot deal.

“We’ll apply this paradigm in the future,” Martin said, “where it’s appropriate.”

My guess is that she won’t be the only one.

Said Martin: “We’re been playing a new game with old rules. And that has to change, or a lot of people are going to go out of business.”

Rick Bass Started Out by Writing Short Stories on His Lunch Breaks

Way behind on this stuff, but trying to catch up a little at a time over the next few days.

I’ve talked plenty about the Between The Pages event Thursday night on Bainbridge Island, but there’s another literary heavy hitter in town that evening as well: Rick Bass, a Mississippi-bred author who now lives in Montana, will be reading at 7:30 p.m. at Eagle Harbor Book Co. from his first novel after nearly a decade of nonfiction writing, Nashville Chrome, a 1959 tale of Southern music, family, rivalries and secrets. Publisher’s Weekly loved it: “Like the sound Chet Atkins pulls from the Browns in the studio, the narrative has a pitch-perfect chorus of longing and regret, with an undertone that connects and heals.”

(Here’s another review.)

I wish I could be there; Bass sounds entirely too interesting. From his Wikipedia page: “He started writing short stories on his lunch breaks while working as a petroleum geologist in Jackson, Mississippi.” So let that be a little sunburst of inspiration to everyone who thinks they’re too busy with their everyday lives to write a book. Because you’re not.

Literary Heavy Hitters Go to Bat for Kitsap Libraries

Authors of literature are usually valued in society as philosophers, sages and teachers. Oh, and quality drinking companions (in my experience, anyway).

To that list, add superheroes.

It’s in the latter mode that five highly regarded fiction writers from all over the United States are coming Thursday to Bainbridge Island for a public reading and reception. Their mission: To raise money for the cash-strapped Kitsap Regional Library system.

Jane Smiley

The $50-a-ticket “Between The Pages” event, at the Bainbridge Performing Arts center, features one marquee name: Jane Smiley, the Pulitzer Prize-winning author of A Thousand Acres, a modern-day retelling of Shakespeare’s King Lear which was later made into a movie starring Jason Robards, Jessica Lange and Michelle Pfeiffer.

Josie Brown

Joining Smiley are four other female authors with strong national reputations: Josie Brown, Eileen Goudge, Joshilyn Jackson and Tatjana Soli.

Eileen Goudge

For 90 minutes, they’ll read from their latest novels (more on those below), interview each other and possibly take some questions from the audience, Wright said. They’ll stay for another 40 minutes after to chat and sign copies of their books.

“My karmic way of giving back is to come up with ideas in which the sales of my books can help good causes,” said Brown, a Bay Area author who helped spearhead the event. (She even arranged for copies of her newest novel, Secret Lives Of Husbands And Wives, to be included in the ticket price.)

Brown is friends with Robbie Wright, a corporate events planner who lives on Bainbridge. When Wright told her last spring about the library system’s woes — budget cuts, past levy failures and the theft of children’s books from the Port Orchard branch — Brown came up with the fundraiser idea.

They quickly enlisted Peter Raffa, director of the Kitsap Regional Library Foundation, and the three drew up a wish list of names. One glittery name at the top of their list — show-business novelist Jackie Collins — initially committed to the Between The Pages event.

Joshilyn Jackson

But, Brown said, Collins had to drop out when when the date for the London premiere of a movie based on one of her books shifted from summer to fall. Also having to drop out was novelist Lisa Rinna, who saw the release of her latest novel shifted to October.

They got Smiley, their other top name, to come up from her Northern California home, however. Goudge, a New York author with a second home in the Puget Sound area, came on board next, followed by Jackson, a Georgia resident, and Soli, who lives in Southern California.

Tatjana Soli

All write what could be labeled literary, issue-driven women’s fiction.

“They are heavy hitters, all of whom have have books that resonate with library patrons all over the country,” Brown said. “And there are no more avid readers than those in the Seattle metro area. That’s a known statistic in the book industry.”

And, she added: “Any excuse to get out into the incomparable Puget Sound area is a writer’s joy. Which is why so many great ones live in your neck of the woods, right?”

*****

Sad disclosure: As things stand now, I won’t be able to attend the event, as I must punch in for my regular Thursday swing shift at the paragraph factory in Bremerton. However, if you’re going and bringing a camera, would you mind sharing some of your shots with me so I can share with everyone? E-mail me at thomsen1965@gmail.com. And please share some of the funny anecdotes and other highlights of the evening. And cake, if there’s any.

*****

A little about each author and their latest books:

• Jane Smiley, who has published 13 novels, three nonfiction books and a short-story collection over a 30-year career, came out earlier this year with her latest, Private Life, which follows one Midwestern woman’s life in marriage from the 1880s to World War II. Said Booklist: “Smiley casts a gimlet eye on the institution of marriage even as she offers a fascinating glimpse of a distant era.”

• Josie Brown is a journalist who specializes in celebrity interviews and relationship articles. Her previous novels include True Hollywood Lies and Impossibly Tongue-Tied; her latest release, just out in June, is Secret Lives Of Husbands And Wives, which examines the dramas of two vastly different Silicon Valley couples. Wrote Booklist: “These women inside their fishbowl are fun to peer in on despite being caricaturish, and the momentum of Brown’s writing and plot keeps the pages turning.”

• Eileen Goudge broke into book publishing by contributing to the crazily successful Sweet Valley High series for young teen girls in the early ’80s. She published her first adult novel in 1986, and her latest, released last October, is Once In A Blue Moon, a tale of two tempestuous sisters and their secrets. Said Publisher’s Weekly: “A touching story with wide appeal, Goudge’s novel is a sharp example of dysfunctional family fiction.”

• Joshilyn Jackson, a Florida native and former teacher, broke into book publishing with a splash, with 2005’s gods in Alabama. Her fourth book, released in June, is drawing her biggest notices: Backseat Saints, a Southern-fried tale of an abused woman who runs from the husband who will never let her go. Said Booklist: “Jackson peels back Rose’s hard edges and resignation to reveal a smart, earnest, brave, and surprisingly hopeful young woman who yearns to make a better life for herself.”

• Tatjana Soli, born in Austria, wrote and published short stories for years before breaking out this spring with her debut novel, The Lotus Eaters, an exhaustively researched story of a female wartime photographer in Southeast Asia at the close of the Vietnam War. Wrote Kirkus Reviews: “Graphic but never gratuitous, the gripping, haunting narrative explores the complexity of violence, foreignness, even betrayal. Moving and memorable.”

*****

Between The Pages: A fundraising event for the Kitsap Regional Library Foundation

Who: Authors Jane Smiley, Josie Brown, Eileen Goudge, Joshilyn Jackson and Tatjana Soli

When: Thursday, 7:30 p.m.

Where: Bainbridge Performing Arts Center, 200 Madison Ave. N., Bainbridge Island

Tickets: $50 (includes copy of Brown’s novel, Secret Lives Of Husbands and Wives), with discount available for groups of eight or more; and $150 for “VIP” access, which includes a catered pre-event reception with the authors and copies of each of their latest novels. Purchase at Liberty Bay Books, 18881 D Front St., Poulsbo.

More Info: For ticket info, Peter Raffa, (360) 475-9039; for event info, Robbie Wright, (206) 390-1989

News and Notes: Bite-Sized Adventures in Authortastic Awesomeness

Some news and notes from around the Kitsap literary scene:

• Just got a note from the folks at Elandan Gardens in Gorst that a copy of Gnarly Branches, Ancient Trees: The Life and Works of Dan Robinson, Bonsai Pioneer has arrived at the home of the world-class bonsai art collection, even though the book won’t be formally released until October. Robinson, of course, is the world-renowned “Picasso of Bonsai” who makes Elandan his home base when he’s not off trotting the globe teaching others the exquisite tree-design art. At $49.95, the price may give pause, but, if you click on the link and leaf through a sampling of pages, you’ll see the the pictures are indeed exquisite. Ordering information is available there as well.

• I asked Ollala crime author Gregg Olsen about his newest fiction thriller, Closer Than Blood. All he would tell me is that it features Kendall Stark, the Kitsap County sheriff’s detective featured in his most recently published novel, Victim Six. Oh, and that it’s set, like the last one, in Port Orchard. And it has “a serial killer with ties to the South Kitsap High School Class of ’94.” It’ll be out the first week of April, which is when the paperback version of Gregg’s latest true-crime book, A Twisted Faith, comes out.

Gregg also reminded me that the “Dateline: NBC” program spotlighting the Kitsap case behind A Twisted Faith airs again on Friday, Sept. 24. He’ll also be discussing the story at a Nov. 12 fundraiser dinner for the Kitsap Historical Society.

• Bainbridge Island author Anthony Flacco, another crime writer, has been no less busy than Gregg. I’ll have a blog post coming soon on an interesting project he’s immersed at the moment, but he’s also plugging away at his next novel. His fiction work to this point has been historical, but this time he’s trying something new.

Said Anthony: “The new story is a contemporary magical romance set in San Francisco in the world of food shows and reality TV. The plot is moved by an ancient native myth that influences the choices of the principal characters.”

Anthony’s most recent books were The Road Out Of Hell, a well-received historical true-crime tale from the 1920s, and Publish Your Nonfiction Book, a Writer’s Digest book he produced last fall with his longtime partner, literary agent Sharlene Martin.

Speaking of The Road Out Of Hell, Anthony announced not long ago that an Italian publisher had acquired the book’s rights and would be hosting some author appearances when the translation releases in March 2011. Said Anthony on his Facebook page: “What a wonderful way to visit that country, La Dolce Vita! One hundred years after my grandparents arrived at Ellis Island.”

• Somehow, in my post last week catching us up on Debbie Macomber’s oeuvre, I missed that Susan Wiggs, the Bainbridge author of romance and women’s fiction, had the same day re-released The Firebrand, the last in a trilogy of historical romances she originally published about a decade ago based on the Great Chicago Fire of 1871. Publisher’s Weekly liked it, in a 2001 review: “She has created a quiet page-turner that will hold readers spellbound as the relationships, characters and story unfold. Fans of historical romances will naturally flock to this skillfully executed trilogy, and general women’s fiction readers should find this story enchanting as well.”

• Garth Sundem was nice enough to send me his geektastic new book, Brain Candy: Science, Paradoxes, Puzzles, Logic and Illogic to Nourish Your Neurons, a couple of months ago, and I’m feeling guilty for not having mentioned it yet. The new book by the 1994 Bainbridge High grad, much like his first two, is a trip through the “intersection of science, math and humor.” It’s loaded with hundreds of funky little factoids, puzzles, logic tests and other ways of demonstrating how our malleable, easily tricked but surprisingly resilient brains work and how the science of putting it to work more efficiently has advanced.

Sundem, who now lives in Ojai, Calif., eats up science writing and research with two spoonfuls. As a result, his bite-sized-nuggets of geekery require more thoughtful digestion than a potboiler novel. That explains why I’m just on page 73, and why, if I wait till I’m done to do a proper write-up, we’ll likely have a new president in the White House.

So, to get a taste of what Brain Candy is all about, click here for some samples. Or watch this tremendously entertaining 2007 appearance on Good Morning America, in which Sundem banters with Diane Sawyer and shows how math calculations can determine whether or not couples should get married — or stay married.

• And, speaking of former Bainbridge Islanders, Seattle author Brandon Kyle Rudd just released the latest edition of his Cooper’s Pack children’s travel guides, Cooper’s Pack Travel Guide to Seattle. The 72-page picture tome follows the adventures of Cooper the dog and his pal, Elliott the otter, as they hop a ferry from Bainbridge Island and see the sights around downtown Seattle. The book, priced at $12.95, can come with plush toys and other kid-friendly accessories.

Rudd — whose pen name on the guides is just “Kyle” — made his mark on Bainbridge as a kid in the late ’70s and ’80s, publishing the Winslow Advertiser shopper from his fourth through eighth grades, and later Exhibition, a well-regarded visual and literary arts magazine, through his high-school years. His Bainbridge school years made a lingering impression on him, as the bios of his characters at the end of his books throw shout-outs to some of his favorite teachers: Gary Axling (Blakely Elementary), Dave Layton and Eileen Okada (Commodore Middle School) and Paul See (Bainbridge High).

Cooper’s Pack Travel Guide To Seattle is the third in a series; previous editions spotlighted New York City and London, and next year will see Cooper visit Bangkok. The book — or its interactive edition — can be purchased online or at Seattle tourist attractions like the Space Needle, Ivar’s and Seattle Duck Tours. (Interesting sidelight: The media relations person for Cooper’s Pack Publishing, based in Seattle, is Marta Drevniak — who happens to be Gregg Olsen‘s daughter.)

• OK, one last ex-Bainbridge Islander (I get to do this because I happen to be one). Remember the big kerfuffle alluded to in a previous Reading Kitsap post about The New York Times’ alleged bias in book reviews toward white male authors from New York? Well, I found out that if you’re looking for Exhibit B to prosecute that case (Exhibit A being Jonathan Franzen), look no further than former Bainbridge resident Alan Furst.

The 69-year-old Furst, a native Manhattanite who lived on Bainbridge for a while in the ’80s and ’90s when he worked for the Seattle Arts Commission, has written 11 literary spy thrillers. All have been set in Europe, before and during World War II, and nine of them have been reviewed in the Times (check them out here). The tenth, Spies Of The Balkans, was reviewed in The Times not once but twice. (The second review is less complimentary, dinging Furst for Ph.D-level historical research at the expense of character development.)

And Furst also got a lavish feature in The Times’ Books section a couple of years ago, in which he sat with the reporter in his Sag Harbor home and said, “I’m basically an Upper West Side Jewish writer.” (Gentile non-gentlemen, start your outrage engines.)

But here’s my favorite part of the story:

Mr. Furst wrote what he now calls a “transitional book,” “Shadow Trade,” a contemporary spy thriller, and helped Debbi Fields, the chocolate chip cookie mogul, write her autobiography. There were also three novels he’d just as soon not talk about. They were comic murder mysteries set in the world of sex, drugs and rock ’n’ roll. “It never occurred to me that people didn’t want to read about sex, drugs and rock ’n’ roll,” he said. “Or that there might be other things you’d want to do with sex, drugs and rock ’n’ roll.”

Awesome, that. Also:

At a writer’s conference in the late ’80s, Mr. Furst went on to say, he ran into Peter Davison, then the poetry editor at The Atlantic Monthly and also an editor at the Atlantic Monthly Press. Mr. Davison said to him, “We looked at your manuscripts,” Mr. Furst recalled. “Do you want to know why we turned them down?” When he said yes, Mr. Davison said they were the most smart-alecky things he had ever seen.

Even more awesome.

• OK. but nothing’s quite as awesome as this. Jamie Ford, the South Kitsap High grad who’s coming Oct. 16 to Poulsbo to speak as part of the Kitsap Regional Library‘s “One Book One Community” program, shared a funny story on his blog about a fanboy writer crush he’s long had on legendary science-fiction author Harlan Ellison.

Seems that the acclaimed author of Hotel On The Corner Of Bitter And Sweet wanted to honor Ellison’s legacy of performance-theater writing — Ellison used to type short stories in a storefront window and give them away to those who watched — when he takes the stage at Richard Hugo House in Seattle next month for The Novel: Live! fundraising event next month. Facing a two-hour writing turn before a live audience, Ford wrote to Ellison asking the other man — now 76 — if he could wear a T-shirt of his at the event.

Next thing Ford knew, he received a call at his Montana home from the man himself.

Wrote Ford in his blog about the call: “Picking up the phone and hearing, ‘Hi, Jamie, this is Harlan Ellison,’ was like learning that Santa Claus is real. Except he’s Jewish and drops the f-bomb a bit more.”

As a result, Ford will take his turn on stage at 10 a.m. Saturday, Oct. 16, wearing a Harlan Ellison T-shirt.

Thus concludes this edition of awesometasticness.

Actually, wait, one more thing: Ford has agreed to do a Q&A with me in advance of his visit.

Flippin’ awesome.



Carol Cassella On Her New Novel, “Healer”

If Carol Cassella had her way, you would not be able to buy a copy today of her new novel, Healer.

Not today, and maybe not any time soon.

“I really had to struggle to discover the heart of this story,” Cassella told me over a recent lunch at the Treehouse on Bainbridge Island. “I started out with such a clear idea of where the plot should go, but the characters I was developing and the emotional impact I was going for kept taking me in a different direction.

“Writing it was a very difficult two years. Just before my deadline, I wanted to rewrite it as a whole different story. But then I had to turn it in to my publisher.”

That being said, Cassella’s editor was happy with what she turned in.

“And sometimes the editor sees that way before the author does,” she said.

And that being said, Cassella had good reasons for her second-novel jitters.

Healer, much like Oxygen before it, started as a medical mystery — almost a genre exercise, she said. Cassella, an anesthesiologist at Virginia Mason Medical Center in Seattle, started it when she found herself intrigued by the shadowy world of big money and biotech research. But while Oxygen dwelled in a world she intimately knew — her main character was an anesthesiologist, after all, and the story was split between Seattle and her native Texas — Healer dragged Cassella far out of her self-confessed comfort zone.

For one, the story is set in a fictional Eastern Washington town (basically, a stand-in for one of the more touristy villages in the Methow Valley). For another, Cassella may be a physician, but she said that going into the writing of Healer, the biotech world was as big a mystery to her as it probably is to you or me. Three, the narrator is a doctor who gave up medicine fifteen years before, and because she lacks board certifications, works in a small clinic that handles migrant laborers on a sliding scale. Cassella, by contrast, still works (albeit part-time), and today — release day — is just another day in a white lab coat for her.

More about the story: Claire Boehning, at 43, sees her upscale Seattle world turn upside-down when her biotech-researcher husband, Addison, loses all his venture and personal capital to a gamble on an anti-cancer drug that flunks its early trials. The couple, who have a 14-year-old daughter, are broke. They sell their tony home on Lake Washington and retreat to their ramshackle second home in the tiny town of Hallam. Faced with a looming inability to pay even the most baseline of bills, Claire hauls her medical license out of mothballs. But all she finds is a job of last resort, at a clinic run by an aging, ailing and overworked old doctor. Meanwhile, Addison is desperately traveling the country, meeting with venture capitalists, trying to revive interest in a drug he’s convinced was unfairly derailed. Suspense looms over some big questions: Was the drug flawed, or were the trials flawed? Will big money trump big science? Will some key characters do the easy thing … or the right thing?

As readers of Oxygen know, Cassella doesn’t tilt toward happily-ever-after endings. Nor does she fatalistically throw up her hands in the face of what seems like an impenetrable ethical and moral quagmire. What usually happens in her work, just as in real life, is a tense and deliberate detangling of some serious gray areas. And so, in a sense, the mystery that Cassella said she started out to write remains intact after all.

“I may have started out one way, but I never wanted to write just a black-and-white story,” Cassella said. “I find that the gray zone is a far more interesting place.”

Finding her gray zone came through years of craft development, much of it through Bainbridge’s Field’s End and critique partners in the author community around Kitsap County. As difficult as Healer was to finish, the making of Oxygen, Cassella makes clear, was much longer and harder. She started as one of probably a zillion people in middle age who wanted to write, but had no idea what … or how.

“If you get to midlife and you’re not going to buy a Ferrari or argue the bigger questions, you’ve got to do something,” she said with a smile. “It became obvious that I had to write because I wasn’t going to stop beating myself up for not writing.”

That said, Cassella was generally happy in her career and in her family life, as a wife and mother of two sets of twins, ages 14 and 15. And her motivation for writing at the time was to finish a book so she could say that she’d finished a book … and then put it on a shelf. “I wanted to write, but everything else got in the way. Like folding laundry,” she said. “I learned that I couldn’t wait for time to write. I had to make time to write.”

But, with the encouragement of author friends, she spent three years writing the book, and used Oxygen to shop for an agent, and after that, a publisher. There were rejections along the way, but the book found its home, and continues to be a big success over two years after its release. It’s had about 10 foreign translations, and just recently made a big splash in Canada as Wal-Mart’s “Read Of The Month” up there.

The book’s success meant that Cassella, soft-spoken in person, had to develop a public persona for signing and touring. “It’s not in my natural grain,” she admitted.

But, like thousands of other authors who have likely said the same, she’s found her way. And Kitsapers can see for themselves when Cassella appears 3 p.m. Sunday at Eagle Harbor Book Company to read from Healer and sign copies. (She’s also appearing at 7 p.m. Thursday at Elliott Bay Books in Seattle.) After that, she hits the road out of state for nearly three weeks before making some more stops at bookstores up and down Puget Sound. (Click here for her schedule.)

And then it’s back to work on book No. 3, already in progress.

“My next book will be a medical mystery, about a woman who’s a doctor,” she said. But then she hastens to add: “It’ll have different voices, a different feel and a different theme.”

Just like Healer does. Oxygen it isn’t. And while I’m no critic, I’m confident in saying that it, like the book itself, is a good thing.

Even if Cassella isn’t quite able to admit that yet.

A Twisted Image: Judging Books By Their Covers

Gregg Olsen, the Olalla author of fiction thrillers and true-crime books, was kind enough to send me the cover (above) for the paperback release next spring of his latest nonfiction work, A Twisted Faith. It is, to say the least, a pretty startling departure from the hardcover version that came out this spring (below). (Bainbridge Islanders, at least, will note that the church in the cover is most definitely not the church at the center of Olsen’s tale.)

In fact, I’d go so far as to say that the hardcover says: “This is an ambitious work of literary nonfiction that stretches beyond the genre.” And that the paperback cover says: “Downmarket true-crime book-of-the-month fare.” (I’m not badmouthing Olsen here, by the way; like most authors, he’s not involved in the cover-design process. It’s my understanding that very few authors have that veto power.)

One can only speculate about what changed in the thought process at the New York offices of St. Martin’s Press between the selecting of the respective covers.

In fact, one can only speculate why publishers change the design from hardcovers to paperbacks at all. Seems like a needless expense, doesn’t it?

What happened with Gregg Olsen’s book also happened, to a less extreme but somewhat similar extent, with the late Bainbridge Island author Jack Olsen and his literary crime masterpiece, Salt Of The Earth, in 1996 and 1997.

Compare the hardcover (above) with the paperback cover (below).

Now, while I wouldn’t call this paperback cover “ugly,” I do think the term “downmarket” applies here as well. Note the hallmarks of the mass-market true-crime book here: The ripped photographs, the blood-red type and the much bolder title type. (And I’d bet a serious amount of money that Jack and his publisher fought like hell over whether the background color would be black or white … and that Jack won.)

And the change in quotes is quite telling, too. The hardcover features a lovely quote from fellow Bainbridge Island author David Guterson: “A literary achievement of the highest order.” For the paperback, the publisher switched to a quote from Salt Of The Earth‘s review in The New York Times: “Pulls you along irresistibly.” Note the change in appeal from the head to the gut.

Speaking of Mr. Guterson, as his former students at Bainbridge High School called him, let’s take a look at the contrast between one of his hardcovers and the paperback edition. Here’s the hardcover of his 1998 second novel, East Of The Mountains ….

… and the paperback cover.

If you’re like me, you’re thinking: “They’re both beautiful covers … but why did the change need to be made?” And maybe: “I wonder how much in royalties David Guterson lost because someone decided they needed to shell out for a new cover design for the paperback?”

Well, that’s why the geniuses all live and work in New York, and we’re just idiot readers in Kitsap who ought to keep our mouths shut and just buy books unquestioningly, right?

And lest I complain too much, let’s not forget that things could always be worse. Gregg, even the good-humored good sport, shared with me a blog post he wrote a while back on the worst book covers in true crime. And here’s one he missed ….

A Book Signing, and a Bit of Advice for Aspiring Authors

First, the news: Author Brian Thornton is signing and reading from his newest release, The Book Of Bastards: 101 Worst Scoundrels and Scandals From The World Of Politics  And Power, at 3 p.m. Sunday at Eagle Harbor Book Co. on Bainbridge Island.

Technically, by mentioning this, I’m sort of cheating on one of the purposes of this blog, which is to promote the works of Kitsap County authors. And Brian, sad to say, lives in Pierce County.

But another one of the purposes of this blog is to pass along whatever advice I can pick up and share with aspiring authors, and in Brian’s story toward published authordom is some sage wisdom worth repeating.

Namely, make friends. So much of where you get in writing and publishing comes from who you know. And more than that, who knows you. And even more than that, who likes you.

Brian is a friend of mine. We met last summer at the Pacific Northwest Writers Association conference. He’s the president of the Northwest Mystery Writers Of America chapter, and since crime writing is my thing, I pegged him as a person to know. As it turns out, that was a great move because a) he’s fun as hell to be around; and b) he knows freaking everyone. We’ve hung out a handful of times, had a few meals and a few drinks, gone to a few literary events.

Now, note what I said: He’s a friend of mine. He’s not someone I with whom I networked (though the net effect is in some ways the same). He’s not someone I schmoozed. He’s someone who’s willing to open some doors for me, and I in turn will do what I can to help him along in his quest to become an established author of historical mystery fiction. You know, the sort of things friends with mutual interests will do for one another.

Brian, who is one of the most naturally garrulous and gregarious people I’ve met, owes a lot of his success to date to the friends he’s made through his own initiative. I’ve asked him to share a bit of his story with us.

“I got my first book contract in part because of my fondness for the work of the German poet Rainer Maria Rilke,” Brian said, “and sold my first short story to a national publication in part because I gave up my seat in a crowded bar to a couple of ladies with no place to sit.

“Of course the longer versions of these stories involve friendships struck up while networking,” he added. ” In the first case, a passing reference to Rilke’s work in a posting on the e-mail list of a national writers’ association (Mystery Writers of America) led to a friendship. My new friend, an editor at Adams Media, eventually asked whether I was interested in writing a book for her.

“I’ve written seven for that press, including my latest one.

“In the second case,” Brian continued, “I was at a conference for mystery writers, fans, editors and agents, and gave up my seat to a very nice lady who turned out to be the editor of a nationally distributed mystery magazine.

“She was a real class act, suggesting I send her a story when I thought I had one.  I did so.  Having made that connection got me out of the slush pile, which is a big leap.  And while she passed on the first story I sent her (as well as the second), she eventually bought one, and it wasn’t the last one.”

Pretty cool, huh?

Just in the last few months of knowing Brian, I’ve gotten to know that Adams Media editor as well, and she and I have exchanged e-mails that may lead to me doing some work for her. And most recently, through Brian, I’ve been invited to submit a short story to an upcoming anthology of West Coast mystery fiction. Neither of those prospects may pan out, but that’s not the point. The point is to have prospects, and prospects are most commonly forged through friendships.

How do you make these friendships, you ask? In my experience, it’s as simple as approaching them. Most authors aren’t remote, unapproachable Buddha-On-A-Mountaintop figures; mostly, they’re working stiffs with day jobs and families and bills who have been fortunate and persevering enough to generate a small side stream of fame and money through their writing talent. Brian, for example, is a guy who squeezes in his writing dreams when he isn’t working as an eighth-grade history teacher.

Follow the basic rules of friend-making: Don’t be obnoxious, don’t be fawning, don’t pester them to do things for you. Contact them online — most are on Facebook or have a contact e-mail through their websites — and show some knowledge of their work. If they live nearby, ask them if you can buy them lunch or a cup of coffee at a convenient time. Listen, and allow yourself to be listened to, and relax and enjoy yourself as much as you enjoy them. In my experience, most are fun, funny people, full of great stories, great advice and a great desire to do pay forward the kindnesses that were given to them when they were like you, on the outside looking in. I’m not the most socially adept or outgoing person on the planet, but I’ve made many friends this way, and treasure them all. And feel confident than if and when my time comes, they’ll probably help me out however they can.

Here are some of Brian’s time-tested rules for breaking the ice with book folks:

1. It costs you nothing to be gracious.
2. Every single author you’ll ever meet has been exactly where you are now.  The lion’s share of them never forget that.
3. Most of the authors I’ve met are funny, interesting people, fun to talk to, and incredibly generous with their time.
4. Because of the changing terrain of publishing most everyone in the business is looking to network all the time.  You rarely reach a point where you think, “I don’t need to meet anyone else new.”
5. When you encounter someone who isn’t interested in networking, you’ll know it (or you should).
6. Every author I know has a horror story about people trying to take advantage of them.
7. Don’t become someone’s horror story!  Don’t ask for someone to refer you to their agent or their editor within ten minutes of meeting them.

Sage wisdom, like I said.

So, there you are. Brian and I will be walking the talk on Sunday. I’ll be taking he and his fiance to lunch before his 3 p.m. reading. And then I’ll hang out with them at the reading itself. Come on down say hello, if you can. I’d be happy to meet you … and I know Brian would.

Catching Up With the Seriously Funny Mary Guterson

It seems like no time at all has passed since Mary Guterson‘s second novel, Gone To The Dogs, was hitting bookshelves. It was just over a year ago, in fact, that the Bainbridge Island author seemed poised to break through in a big way as the Pacific Northwest’s resident comic chronicler of whackbag women.

But a lot can change in a year, and a lot has changed for Guterson. She’s since relocated to Los Angeles, where she works as a freelance writer of copy for movie trailers and is developing an addiction to frozen dinners from Trader Joe’s. (Ouch! Dart to the heart for us Kitsapers!) She’s done some teaching gigs, most recently at the Whidbey Island Writers Association’s MFA program. “And i don’t have an MFA,” she told me. “But they didn’t seem to care. I actually enjoyed teaching there so much that I’m thinking of trying to get myself some sort of teaching gig down here.”

And she’s working on her third novel (following Gone To The Dogs and her equally delirious, delicious We Are All Fine Here), but don’t expect another uproarious tale of a chick with a one-way ticket to Crazytown. Guterson being who she is, however, she couldn’t possibly not be funny in talking about her unfunny work-in-progress.

“For one, it’s not a comedy,” she said. “And for two, the main character is a child. Aren’t you just dying to read it??? An unfunny kid! Who wouldn’t want to rush out and pick up that book?”

She added: “In truth, it’s about the fifth novel I’ve started in the last couple of years, so I’m not at all positive this one will stick, but so far so good.”

More seriously, she elaborated: “I make no plans when I write. I don’t know what I’m going to write until I write it. So, writing a more serious work wasn’t done as part of a plan to stretch myself or to keep from being pigeonholed.

“I just write what I write, and apparently at the moment, I don’t write funny.”

Guterson’s ties to her native Northwest remain strong, and she’s a frequent flyer up this way. In October, she’ll have a short story published in a collection produced through Humanities Washington. And in the middle of the month, she’ll be participating in “The Novel: Live!”

The latter is an exciting experiment in which 36 Northwest writers — including Kitsap writers Susan Wiggs, Suzanne Selfors, Carol Cassella, Kathleen Alcala and Guterson, along with South Kitsap High grad Jamie Ford — spend two hours each writing their parts of a “marathon novel” on the cabaret stage of the Richard Hugo House before a live and participating audience. After the novel is done, it will be published and sold as an e-book in all formats, with profits going to a number of nonprofit Northwest literary causes.

“The Novel: Live! is the brainchild of Seattle7Writers, an authors’ collective of which Guterson is a founding member. Its aim is to energize and promote the area as a reading community, and Guterson is participating in that spirit. (Even if she claims she’s really in it for “free wine.”)

Writing, as we know, is generally a private, protected discipline. So I had to ask Guterson if she was intimidated by the idea of writing on display like a guppy in a fish bowl when her turn comes to take the stage on Friday, Oct. 15 from 6 to 8 p.m. (Cassella’s two-word response to the same question: “Totally terrified!”)

“Maybe I should be,” Guterson said. “But I’m thinking of it as performance art. There’s no thought that we are going to produce a work of beauty. Oh, God, watch, the others will produce a work of beauty and I’ll totally f— it up by writing my usual bulls–t. Now I’m afraid. Thanks a lot, Jim.

“But no, really, I think it’ll just be a fun sort of lark.”

(On her website, Guterson has the following idea for those following her during her turn onstage: “We can make a plan in advance where I say I have to use the ladies’ room, and then you, dear reader, sit in my seat and type away, and meanwhile I take FOREVER to come out of the bathroom! And when I DO emerge, you will have done most of my writing for me. Perfect!”)

(By the way, if you can’t come in person, you can follow the whole thing on a live-streaming website and e-mail suggestions to Guterson as she’s working. More on that at a later date.)

In the meantime, Guterson continues work on her novel without a publishing contract. Which, curiously, is the way she prefers it.

“I was offered a two-book contract for both of my books, but turned down the offer both times,” she said. “I don’t want to be contractually obligated to a creative endeavor. That would kill what little creativity I’ve got.”

It stands to reason that Guterson should have a strong position in making her third book deal, then, when the time comes.

“Gone To The Dogs did very well,” she said. “I believe it ended up selling more copies than my first novel …. My agent tells me that both books sold very well, and that my publishers have been very pleased. And that’s good enough for me.”

Us too.

Jonathan Evison’s New Book (aka, The Coolest Thing Ever)

The advance galley boxed set for Jonathan Evison's new novel, "West Of Here."

Last week, I got a curious package in the mail from “High Tide Seafood” of “Port Bonita, Washington.”

I opened the packaging to find a pine box that looked for all the world like the kind that high-end salmon distributors use to send out gift container of vacuum-sealed smoked salmon.

As much as I love smoked salmon, what was inside this particular box was much better.

It contained a series of old-style postcards and maps spotlighting Port Bonita, the fictional setting of Bainbridge Island author Jonathan Evison‘s coming second novel, West Of Here. Oh, and an advance paperback proofreading copy of the book itself, even though the finished version of West Of Here, which will be released in hardcover, won’t be available in bookstores until Feb. 15, 2011.

The galley box was the brainchild of Evison and the marketing folks at Algonquin, his new publisher. It’s in an effort to whip up plenty of pre-release interest in Evison, who is being pegged by his publisher as a literary talent poised for a breakthrough even bigger than the one he got from his knockout debut novel, All About Lulu. And the folks at Algonquin are putting their money where their mouths are, preparing for a first-print run of 75,000 (Lulu‘s first printing was just 10,000), and sending the author on a cross-country tour of the publishing industry’s book fairs and festivals this fall. That’s all ahead of a 21-city, 25-day tour after the book’s release date.

“They believe in me, I guess,” the 41-year-old Evison told me recently over beer and pizza at The Treehouse on Bainbridge Island.

It’s nice to see at a time when cost-conscious, risk-averse publishers are generally doing less for their authors. And nice especially since West Of Here is a radical departure from the coming-of-age tale in 1980s Southern California that made Evison’s name and fame to date. It’s a novel of epic sweep, encompassing parallel narratives set in 1889 and 2006, and rooted in the hardscrabble reality and inscrutable mythology of the Olympic Peninsula. (Port Bonita is essentially Evison’s stand-in for Port Angeles.) I’m only 60 pages in so far, but I can tell that West Of Here is storytelling grounded in years of Ph.D-level research of the area, the history, the people, the culture and the land.

Here’s what his publisher has to say:

Set in the fictional town of Port Bonita, on Washington State’s rugged Pacific coast, West of Here is propelled by a story that both re-creates and celebrates the American experience—it is storytelling on the grandest scale. With one segment of the narrative focused on the town’s founders circa 1890 and another showing the lives of their descendants in 2006, the novel develops as a kind of conversation between two epochs, one rushing blindly toward the future and the other struggling to undo the damage of the past.

An exposition on the effects of time, on how something said or done in one generation keeps echoing through all the years that follow, and how mistakes keep happening and people keep on trying to be strong and brave and, most important, just and right, West of Here harks back to the work of such masters of Americana as Bret Harte, Edna Ferber, and Larry McMurtry, writers whose fiction turned history into myth and myth into a nation’s shared experience. It is a bold novel by a writer destined to become a major force in American literature.

All that’s evident in the contents of the box, which were inspired by vintage postcards and other art of the time. And the cover itself, which harks back strongly to the style of the great novels of the 1920s and 1930s from Ernest Hemingway and John Steinbeck, among others.

All that is the longwinded way of saying what I said in the title line of this post … which were the same words I uttered when I opened the package: “This is the coolest thing ever!” All befitting one of the coolest authors ever (in my experience, anyway). Which reminds me: Thanks again for the beer and pizza, dude.