“Does not work up to her potential.” This was a common theme on my early elementary school report cards.
I was easily distracted, overly sociable and a little bit mischievous, just the kind of kid that puts a snag in every teacher’s stocking.
Day in, day out, I must have worn on Miss Atchison’s nerves, but she never let it show. Winifred Atchison was the quintessential schoolmarm, with sensible black pumps, a wool skirt just below the knee and a cap of leaden curls.
Miss Atchison brooked no nonsense, and I believe I spent more time out in the hallway than in the classroom during my fourth grade year. Our classroom was off a landing, and I can remember my older sister — well behaved, neat, punctual, studious — taking the stairs to the cafeteria with her friends, pretending she didn’t know me.
I was one of two girls in a remedial handwriting class, a fact of which I was probably not sufficiently ashamed. Things haven’t improved much to this day.
I hated math and didn’t get the point of history (too many dates to memorize, so long ago). I lived for recess, PE and lunch.
The one part of the instructional day I came to love was read-aloud time. Right after lunch, Miss Atchison would read to us in her thick Irish accent.
I don’t recall any of the books she read, but I do remember they had a profound effect on me. Lying my head on my arms — which was allowed — I relished the sound of the words and marveled at how they strung together. Miss Atchison could have been reading the phone book in that mellifluous brogue and I’d have been hooked.
Now, some time during the year, someone (not me, probably one of the guys) had brought in a lump of clay that got divvied up, loaves and fishes style, until everyone had a little pinch. Miss Atchison knew about the clay, and allowed us to have it in our desks — the old hinge top kind — as long as we didn’t take it out during class.
One day during read-aloud time, when Miss Atchison’s eyes were on the book, someone sneaked their clay out and started making tiny ramps on the desktop, which was slanted, and a tiny clay ball to roll down the little maze.
I would love to take credit for that bit of brilliance, but I have to say it was probably one of the guys, or Cornelia Adams, who was both artistic and subversive. Pretty soon everyone in class was making clay mazes on their desks.
Miss Atchison quickly became aware of the new trend, but instead of squashing it, lo and behold, she tolerated it. Pretty soon our classroom economy revolved around the clay, which grew in volume like currency, traded for erasers, pencils and pennies. We had a virtual clay Mafia, of which I was not part. But I had my share of the goods, a raquetball-sized wad.
The mazes got bigger, more elaborate. We had unspoken contests for who could keep the little ball rolling the longest. And yet read-aloud time grew utterly quiet; none of the usual wiggling or whispering. Even kids who used to squirm through the stories, settled down and maybe even listened.
My lifelong love of words began with read-aloud hour, a blissful interlude marked by the lilting sound of Miss Atchison’s voice, the softness and earthy smell of clay, and the sight of the little ball rolling, dropping, rolling and dropping.
In the months and years to come, I developed a voracious appetite for reading and also found I was a pretty decent writer. Over months and years, I settled down, knuckled down and became a decent student, and later in life a journalist.
For all this, I credit Miss Atchison, who was old in the 1960s, when I went to elementary school, and is surely dead by now.
Did I ever tell her, “thank you?” I can’t recall. It seemed a given; we loved Miss Atchison and she loved us. She knew what made each of us tick. She knew when to push us and when to indulge our childish sense of play.
Now, that was brilliant.
On Sunday, we’ll hear from this year’s high school graduates about teachers who changed the trajectory of their education, and we’d like to hear from you, too.
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