Tag Archives: Seattle Center

Bumbershoot 2016, Day One: It’s all beer, all the time

It was, I suppose, inevitable: The entire Bumbershoot festival is now one big beer garden.

The fences are down and the beer-swilling hordes now mingle with us tee-totaling bumpkins. This year, once you’ve had your ID checked and are issued an wristband, you can sidle right up to one of the beer and wine dispensaries that are as plentiful on the Seattle Center grounds as Starbucks on the downtown streets.

The good news there is that there’s a lot more shoulder room for non-drinkers, who were left with increasingly less space at the venues in recent years as the beer gardens and sponsored “VIP” enclaves multiplied like fruit flies.

The bad news is that the brewski is now omnipresent. It’s ubiquitous. It’s everywhere. And its consumers reel among us, all tipsy and oblivious to things like kids and decency and everybody else’s personal space. In other words, this Bumbershoot is a little bit more like a fraternity party than any previous edition.

Probably because of the rain — and perhaps in part because much of the teenaged attendance block seemed to cloister themselves in Key Arena all day to take in whatever super-amplified swill was being force-fed them — Day One didn’t seem all that crowded. Memorial Stadium was less than half full for Father John Misty, although things picked up quite a bit in anticipation of the evening’s 1-2 punch of Halsey and Kygo. And the once prestigious Mural Amphitheatre — oops, fervent apologies, the “Starbucks Stage” — didn’t draw flies until the evening set by Zella Day, ostensibly a set-up job for closers the Blind Boys of Alabama which turned out to be a star turn for the 20-year-old singer-songwriter from Pinetop, Arizona.

Some impressions from Day One:

  • If you want to see Lemolo (5:30 today, KEXP stage), get there early. The venue is tiny, in the rooms west of the Northwest Court (north of KeyArena) where the art exhibitions held court for the festival’s first 44 years or so. There’s a coffee joint and a vinyl record shop built right into the space, which is probably pretty nice the other 362 days of the year, but simply take up space that could’ve been spectators for Lemolo, Thunderpussy (4:10 Monday) and all the other acts booked in by KEXP.
  • Friday, anyway, the KEXP Stage seemed haunted by weak bands with weak gear; the Starbucks Stage, at least early in the day, was weak bands with better gear; and the Fisher Green stage was weak bands with really good gear, perhaps a single streaming on one of the services and maybe a song “featured” on the CW network. St. Lucia seemed like something right out of the Nineties, and Atlas Genius and Bob Moses never really popped.
  • The Starbucks Stage didn’t fare much better until the set by the aforementioned Zella Day (pictured), who delivered a short (scheduled that way), intense set of dramatic originals, sung and occasionally shrieked by Day, who had a nice — but entirely too loud — bmaxresdefaultand behind her. She was the first artist I saw all day who seemed like she was really trying to make an impression. She did.
  • One of the reasons I liked Day so much was that I had just come from an embarrassing set at Fisher Green by Chevy Metal, a side project of Foo Fighters drummer Taylor Hawkins. I thought covers (the Van Halenized version of the Kinks’ “You Really Got Me,” for instance) were verboten at Bumbershoot, but I wouldn’t have minded if they’d been better covers.
  • Joshua Tillman, Father John Misty’s frontman, called their main stage show “the last show of the current album cycle.” He said the massive tour numbered 240 shows. And, frankly, the band seemed utterly without pep. Still sounded pretty good, though.

Saturday, it might come down to a coin flip between Lemolo and Reggie Watts, both of whom play at 5:30 p.m. (Watts will be doing his beat-boxing, improv-ing thing at the Fisher Green Stage.) I could try to go half-and-half, but if I invest the time to get to the KEXP shoebox early enough to get so see Lemolo for my first time in a couple of years, I ain’t leaving. If it goes down that way, Reggie will understand.

It’ll be back to the stadium to see Macklemore and Ryan Lewis (8:50 p.m.), who I didn’t get to see when the “Camping Trip” tour stopped at the Admiral last Wednesday — although, judging by the Thursday water-cooler conversations in the Sungeon, just about every other Sun employee did.

If you go, it’s liable to be warmer and drier than it was Friday. Use sunscreen, and drink mucho liquid. God knows that’ll be a pretty simple proposition, given that you can’t throw a rock at Seattle Center this weekend and not hit a beer stand. There are a few water stations, too, so re-fill early and often. Have fun, and say hi …

— MM

Bumbershoot announces 2016 dates

It must be because AEG is new at this, but Bumbershoot 2016 — the 46th edition of Seattle’s beloved Labor Day weekend music and art festival — will be over before Labor Day.

AEG Live, which propped up One Reel so the 2015 festival could happen, announced that the 2016 renewal will take place on September 2-4 — a Friday-Saturday-Sunday affair.

Bumbershoot Bumbershoot-logoused to include Fridays, back when it was a four-day marathon. It’s been a Saturday-Sunday-Monday thang for more than a decade, though.

Early bird tickets will go on sale at noon on  November 20 at bumbershoot.com. The release didn’t say if early purchasers would be rewarded with discount prices, as had been a Bumbershoot tradition, but I guess we’ll find out on Friday.

The release did say that the festival will again utilize more venues than in recent years, including Memorial Stadium and KeyArena. , a fan favorite in 2015, will return to EMP. All programming will be announced in spring 2016.

— MM

Bumbershoot announces (finally) 2015 music lineup

Here is, at long last, the music lineup for the 2015 Bumbershoot Music and Art Festival at the Seattle Center over the Labor Day weekend:

SEPT. 5

THE WEEKND * CHANCE THE RAPPER * CAKE
FLYING LOTUS * FITZ & THE TANTRUMS * LINDSEY STIRLING
JHENÉ AIKO * ATMOSPHERE * THE AIRBORNE TOXIC EVENT * KEYS N KRATES
BABES IN TOYLAND * KACEY MUSGRAVES * ELEPHANT REVIVAL * RAC LIVE
DEEP CREEP * JAMESTOWN REVIVAL * CHRIS STAPLETON * THE WHITE BUFFALO
ELLE KING * PHOEBE BRIDGERS * ON AN ON * RAZ SIMONE * LIL DICKY * SOFT SLEEP
GRACE LOVE & THE TRUE LOVES * BIG SCARY * MOTOPONY * SMOKEY BRIGHTS
K. FLAY * DUKE EVERS * ZACH VAN LUE

SEPT. 6

FAITH NO MORE * ZEDD * SOCIAL DISTORTION
BRAND NEW * FLOSSTRADAMUS * NEKO CASE
PUNCH BROTHERS * TCHAMI * THE MELVINS * PAPER DIAMOND
LEE “SCRATCH” PERRY & SUBATOMIC SOUND SYSTEM * THE CAVE SINGERS * CLASSIXX
DEAD MOON * NIKKI LANE * SALVA * MOON HOOCH * MIKAL CRONIN * FOX AND THE LAW
ISRAEL NASH * CHIMURENGA RENAISSANCE * UNLIKELY FRIENDS * HIBOU
CAMBODIAN SPACE PROJECT * CONSTANT LOVERS * THE FAME RIOT
TRACKSUIT WEDDING * JADEN CARLSON BAND

SEPT. 7

ELLIE GOULDING * HOZIER * BASSNECTAR
BEN HARPER & THE INNOCENT CRIMINALS * BRANDON FLOWERS
BORGORE * DEVOTCHKA * PEACHES * MINUS THE BEAR * BIG DATA * THE FLOOZIES
HEY MARSEILLES * BØRNS * EMANCIPATOR * NAHKO & MEDICINE FOR THE PEOPLE * KRIS ORLOWSKI
NACHO PICASSO * COLONY HOUSE * FINISH TICKET * GRIZZLED MIGHTY
NATHANIEL RATELIFF & THE NIGHT SWEATS * BROTHERS FROM ANOTHER * DAVE B
BREAD & BUTTER * LONESOME SHACK * SISTERS

Expect additions, and perhaps a subtraction or two, in the coming weeks.

Now, maybe One Reel can set about putting some tickets up for sale … bumbershoot.com

— MM