
A few weeks ago, the City Council voted for big cuts in city
financial support for the Bainbridge Island Arts and Humanities
Council. Then, last night, the council voted against those cuts,
putting thousands of dollars back in the nonprofit’s pockets.
Rethinking past decisions tends to happen when death is
discussed.
“Kill,” “death,” and “death-knell” were a few of the words arts
advocates used to describe the consequences of the cuts.
The council did a bit of a flip-flop, but who wants to be known
as the executioner of an organization that breathes a lot of art
into the island’s life.
You might not be acquainted with BIAHC, but you’ve probably
enjoyed the Celluloid Bainbridge Film Festival at the Lynwood
Theatre, or sat in on one of the Great Decisions lectures at the
library, or toured the gardens during Bainbridge In Bloom, or
pondered the meaning of the spidery steel legs creeping from behind
the wall outside City Hall. (One islander has postulated that it’s
a statement about the lurking, predatory nature of municipalities
toward the free market. Crawling from the web of bureaucracy, the
spider (the city) means to strike the unwitting world of commerce
(San Carlos restaurant, across the street) and paralyze it with the
venom of taxation.*)
All of these community-fueled projects (including the alien eggs
hatching to the east of the spider legs) are partially or wholly
the doing of BIAHC.
For my coverage of the council’s move to put money back into the
BIAHC budget, read on…
*(I made that up)
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