
Whoa, cool! This was my immediate reaction seeing this recent
submission to our reader gallery at yourmedia.kitsapsun.com. My
second thought was, “How did they get so close to the eagle, and
how’d they know it was going to the rock?”
I banged a few rocks together and woke up the hamsters to fire
up the Internets so I could e-mail the photographer.
Turns out, for Noelle Morris of Manchester, this scene is pretty
common. What a terrible sight to endure on a regular basis,
huh?
Here’s what she had to say:
The rock is exposed at low tide and the eagles are
catching flounders and bullheads most time but when I
get done fishing and have leftover herring,
or leftover scraps I toss them on the beach or the
big rock and they usually beat the seagulls to it if it looks
like something good to them.
We saw one tonight actually go into the water about 5 feet from
shore and he waded back to shore with a fish in his
talons…it was too dark to grab the camera and raining so I didn’t
get the shot, sometimes its ok just to watch without looking
through the lens!
I believe they have young ones in the nest now too, so they are
very busy. I enjoy hearing them calling and whistling all the
time…they are amazing birds.
On the tech side, Noelle said it was her first attempt stitching
in a Microsoft photo program, and that she uses a Canon 40D and
image-stabilized 28-135mm lens. Exposure data was ISO 400, F11
1/1000 sec.
She used manual focus, which is a good technique to remember if
you’re trying to shoot something like this. Instead of worrying
about whether the autofocus can keep up with the eagle, focus on
the area where you’re relatively certain the eagle (or football
player, kid, dog, whatever) are going to pass through. Since the
f-stop is fairly small (F11, there’s going to be plenty of
depth-of-field, or the area where the subject will be in
focus).
Each of these shots individually are wonderful captures, but
stitched together it makes the series convey the power and elegance
of our national symbol. And it’s just cool.
Kudos to Nolle.
– Derek Sheppard